Pilar Távora

Georges Bizet's famous opera Carmen tells the story of the eponymous Gypsy woman, depicted as being impulsive and with an eye on smuggling. Taking this perpetuated stereotype into account, we visit a group of Spanish gypsy women who are claiming their own space.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.