Andalucía entre el incienso y el sudor

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.

A film essay that approaches cinema as a water current, revisiting a body of previous essay films through the recurring image of water—rivers, seas, tides, and flows—to explore cinema as a fluid space of memory, movement, and transformation.

Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.

On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

Rafael was the outlandish mayor of a small Andalusian village until his absent-minded eccentricities caused him to draw in the village elections. Now he has a clear objective: to win in the second elections. His best idea is to organise and star in a documentary to brag about 'his people'. Through these cameras we will get to know one of the crazy traditions of the village. But also, the criticism and laughter that his dubious management arouses, and the irrefutable prudence of Victoria, his competitor. All these problems will explode back at him... literally.

An intimate and collective documentary of a historic event that brought the devotion of Our Lady of Hope from Málaga to the heart of Rome for the Grand Procession held on May 17, 2025, during the Jubilee of 'Pilgrims of Hope'. Different paths—personal, spiritual, and physical—converge on a single destination: Hope. An experience lived not only in the streets of Rome, but also in the hearts of those who participated, becoming a testament to faith.

An philosophical film assembled from archival NASA footage exploring humanity’s search for meaning in the silence of space.

A random apparition leads to the aquatic ape theory, an unproven evolutionary hypothesis that imagines an amphibious origin of humans. The idea of a certain origin is called into question, and if we cannot verify the past, on what do we base the future?

Documentary about Seville's hip hop scene.

In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.

The documentary Felipe González approaches some of the most important facets and stages of the Andalusian politician's life, before becoming President of the Government of Spain: his early years, his high school studies at the school of the Claretian Fathers in Seville, his years in the Catholic Action University Youth and the Catholic Workers' Youth, his entry into the Spanish Socialist Workers' Party (PSOE).

A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Desplazamientos

Created by Rafaela Andrade, this fashion film explores contemporary fashion compositions and urban aesthetics through striking architectural locations. Directed and filmed by Matheus Gallo, the visual narrative highlights the elegance and textures of the garments, blending detailed close-ups of accessories with monumental urban backdrops. Art directed by Fernanda Neves and styled by Bianca Farias, the project serves as a sophisticated visual portfolio celebrating a collaborative creative vision.

nostomanie

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Storm