Nick Alexander Pasveer

Sleepwalker tells three stories against the backdrop of a New Year's Eve: Lola and Paul, who drift aimlessly through the city and provoke complete strangers. Simon and Marie, who spend the evening with Simon's professor and his wife, gaining an ominous insight into their own possible future. And the teacher Karin, who spends the night with her student Fuad. A small panorama of a society on the brink of a turning point. A film about the fear of inner stagnation, while history has picked up full speed again after decades of order. The conflicts of 2020 loom on the horizon, but are still too abstract to be perceived as a serious threat. Somewhere, far away in downtown Vienna, thousands of people are celebrating a boisterous party, but our characters see no reason to join in.

Chantal, an influencer with no followers, and her best friend Zeynep end up in a fairytale world thanks to an antique magic mirror that they think is a social media gimmick. The marriage-mad princes didn't expect such a badass princess. Thanks to her ghetto skills, Chantal does away with reactionary fairytale clichés, fights against curses and tyrannical kings - and, above all, fights for her friendship with Zeynep.

Twentysomething Miep Gies didn't hesitate when her boss Otto Frank came to her and asked her to hide his family from the Nazis during World War II. For the next two years, Miep, her husband Jan, and the other helpers watched over the eight souls in hiding in the Secret Annex. And it was Miep who found Anne’s Diary and kept it safe so Otto, the only one of the eight who survived, could later share it with the world as one of the most powerful accounts of the Holocaust.