Fritz Lafontaine

A guide to vegetable self-sufficiency in postwar Germany.

The film begins with the First World War and ends in 1945. Without exception, recordings from this period were used, which came from weekly news reports from different countries. Previously unpublished scenes about the private life of Adolf Hitler and Eva Braun were also shown for the first time. The film was originally built into a frame story. The Off Commentary begins with the words: "This film [...] is a document of delusion that on the way to power tore an entire people and a whole world into disaster. This film portrays the suffering of a generation that only ended five to twelve. " The film premiered in Cologne on November 20, 1953, but was immediately banned by Federal Interior Minister Gerhard Schröder in agreement with the interior ministers of the federal states of the Federal Republic of Germany.

Jonny Wilken is an ageing lion trainer in a circus. He is in love with his younger colleague Jutta Sarris. On her wedding day, Jutta's favorite Bengal tiger attacks her out of jealousy and kills her. Jonny, full of pain and out of revenge, enters the cage to kill the animal with his bare hands. However, the tiger bows to him without any resistance.

Catherine Miller's triumph at the Casino de Paris leads fashionable playwright Alexandre Gordi to ask her to create his next play. Flattered, Catherine moves into Gordi's villa near Cannes, escorted by her entire family. Only Jacques Merval, Gordi's secretary, disagrees. This is understandable, as it is he who writes the plays that Gordi, rather tired, simply signs. Jacques is a one-man band in every sense of the word, allying himself with the Casino manager to bring Catherine back to her music-hall successes. Despite a few clouds, and thanks to Gordi's generous intervention, he succeeds. Wasn't his only thought the happiness of the woman he loves?

On the occasion of a charity ball in Vienna a kiss of a famous actress should be auctioned. Misunderstandings between the manager of the film star, a record producer and a student lead too all kinds of mistakes, during which a student is mistaken for a prince in disguise and almost breaks his hapiness. - Quickly and expertly produced mistake comedy with a lot of singing desposits and an at than popular comedian line-up, which offers amusing surface entertainment.

Schlussakkord

Liebe, wie die Frau sie wünscht

Through the Forests and Through the Trees

Young forester Sixt is wounded one night. Smuggling in the mountains is the reason. By day, the brothers Benno and Simon Schaidler are respectable citizens - by night, they are smugglers and poachers. They daredevilly pursue their nocturnal "craft". However, a number of people in Aurach have no idea of the smugglers' activities. For example Barbara, the landlady of the "Gamsbock", and her sister Gretl. One night Sixt, the young forester, is wounded by a pistol shot. Suspicion falls on forester Aiblinger, since it is his lost service pistol that is found near the wounded man.

Leopold, head waiter at the "Weißen Rössl" (White Horse Inn), is secretly in love with the owner of the restaurant, Josepha. But she's only interested in the lawyer Dr. Siedler. Jealous, Leopold comes up with a plan to gain Josepha's attention.

Four graduates of an industrial design school team up and form a small business. The protagonist is so excited by the venture that she turns down the proposal of her dashing instructor. Time passes and her three partners lose interest in the business for different reasons. This leaves the heroine who has a change of heart and decides to forgo the business and marry the instructor after all.

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.

Kommissar Freytag is a German television series.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.