The Woman of My Dreams

In 1973, at the Restauratec staff canteen, Jean-Pierre Ranu explains and sings his passion for thawed paella.

This modest bit of comedy and romance in the adolescent vein is about a couple of spirited juveniles, Donald O'Connor and Gloria Jean, who carry on a flirtation parallel with that of their elders, Louise Allbritton and Ian Hunter.

Zuzana grew up and took her first blows from life. She got caught up in bad company, ended up in prison and after her release she tries to start again. She meets Juraj, a sympathetic driver, but when he seems to have found what she was looking for in him, he leaves her to try his luck in pop music. On top of that, Zuzana has to fight off attacks from her former partner Rony, now a rich gangster, who tries to seduce her. There is something for every teenager in this attractive musical. From a series of action scenes, shootouts, fights, love, the male friendship of the tough guys and their flashy trucks, to smuggled guns, mobsters holding the corrupt police and judiciary in their grip, plenty of songs and humour, and a glimpse into the corrupt backstage of show business.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.

All My Friends Are Cowboys is a musical play based on the formative years of Kelly C. Crabb, who worked on a livestock farm in Utah before becoming an author and entertainment lawyer. The show was produced for television by PBS, and featured performances by Johnny Cash, June Carter Cash, Wilford Brimley, Joe Diffie and (in his final taped appearance) Roy Rogers.

Two crabs embark on an epic journey to get home after a storm sweeps them away. Their courage soon unites their families, paving the way for great summers to come.

A set of performances inspired on films such as Singin' in the Rain, Moulin Rouge, Beauty and the Beast, Chicago, Dirty Dancing, Saturday Night Fever and La La Land.

Climbing to fame, Irish-American composer Ernest R. Ball romances a showgirl, who catches the eye of an underworld character.

The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.

A beautiful child star tires of life in the spotlight and so disguises herself and sneaks off to join a Civilian Conservation Corps camp to work with normal kids. It doesn't take her long to discover that being "normal" isn't easy as it looks. When a crop is in danger of being ruined because there are not enough people to harvest it, the girl employs some of her famous colleagues to lend a hand. Songs include: "Too Much in Love," "Here It Is Monday," "Delightfully Dangerous," "Hawaiian War Chant" and "Notre Dame."

Frankie Foster and Stanley Benson are a pair of small-potatoes performers. Both try to make it to the big-time after winning an amateur talent contest. Though this leads them to a few professional gigs, something is missing from their act and they are not popular. Believing a little cash will boost their career, Frankie heads for Washington, D.C. to see if her wealthy father will help them. En route Frankie is mistaken for the wife of the well-known pilot Johnny Pearson and ends up in his suite having to pretend she is his spouse. When the pilot meets her, romantic sparks fly.

When Madeline's long lost uncle Horst arrives to take her to a Viennese finishing school, Miss Clavel, the eleven little girls and Pepito realize that something is not right.

The third film version of James Hagan's play, this time with songs added, starring Dennis Morgan as a dentist who marries patient and loyal Dorothy Malone despite his constant infatuation with sexy flirt Janis Paige.

A 1980s photographer and advertising designer trying on clothes in a vintage clothing store find themselves transported to the 1930s.

A circus side show performer tries to discourage her younger sister from following in her footsteps.

Filmed live from the 1993 revival, Sam Mendes' directorial debut takes place at the Donmar Warehouse in London's West End. Jane Horrocks stars as cabaret girl Sally Bowles, Adam Godley as the bicurious Cliff, and Alan Cumming as the eccentric Emcee. Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally and the impish Emcee sound the clarion call to decadent fun, while outside, a notorious political party grows into a brutal force.

Musical about two sisters in love with the same man.

Ran and Leela are passionately in love with each other. The only problem is that their respective clans have been enemies for 500 years.

Young Vova summons the wizard and asks him to find a friend who looks like him. So a man appears in the apartment, both in appearance and in character, similar to Vova.

Perky young Nanette attempts to save the marriage of her uncle and aunt by untangling Uncle Jimmy from several innocent but ensnaring flirtations. Attempting one such unentanglement, Nanette enlists the help of theatrical producer Bill Trainor, who promptly falls in love with her. The same thing happens when artist Tom Gillespie is called on for help. But soon Uncle Jimmy's flirtations become too numerous, and Nanette's romances with Tom and Bill run into trouble. Will Uncle Jimmy's marriage survive, and will Nanette find happiness with Tom, Bill, or somebody else?