Marie-Christine Questerbert

A woman's feminist awakening drives an intellectual couple to a relationship crisis.

Reel 18 of Gérard Courant's on-going Cinematon series.

Whilst seeking out locations in the South of France for his next film, director Luc Moullet comes across a male corpse. He immediately decides to use this to his advantage. By swapping his passport with that of the dead man, Moullet hopes that the world will believe he is dead, thereby ensuring a renewed interest in his work. Unfortunately, the scheme backfires, since the dead man was someone rather important...

On a whim, the long-married Hélène decides to look up a former lover of hers. At his apartment, she is met by the man's grown son, Julien, who tells her that his father died just a few days before. Before long, she has become Julien's lover, but she is also increasingly becoming attached to the rather unlikely idea that Julien and she are genetically related. Meanwhile, her cardiologist husband cannot fathom her increasingly bizarre behavior. It is one thing to have an affair, even with a much younger man, but she seems to be edging ever-closer to the borderline between sanity and madness.