A Girl Is a Gun

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.

The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.

A young bride flees the ceremony with a stranger and, together, they set off on an epic journey though increasingly bizarre lands. They encounter talking animals and mournful exhibitionists, converse with a discoursing rock, journey through a surrealist's psychedelic hotel, instigate a prison riot, escape from naked cannibals living in a tree, and battle a wind-up midget dictator!

This apocalyptic linguistic comedy meditates on the relationship between language, meaning and social decay and is scripted from "double-speak" language found in a variety of media sources. Drawing its title from the Pentagon's term for crash, Involuntary Conversion evokes the hollowness and free-floating anxiety that characterizes late 20th century culture. In a voice that could belong to a hypnotist or a government spokesman, a disembodied speaker recounts a string of events whose common thread is a sense of impending disaster. The mood is suspended somewhere between nightmare and deadpan and is propelled by a narrative as enigmatic as the language it exposes. The iconic shape of a fighter jet floating in a perfect sky has the creepy feel of a video game and the texture of television is used to make the images feel domestically ingrained.

While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.

When a crooked sheriff murders his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

After Pat Garrett kills Billy the Kid, Billy's look-alike Roy Rogers arrives and is mistaken for him. Although a murderer, Billy was on the side of the homesteaders against the large ranchers. As Billy's death is unknown, Roy gets Garrett to let him pose as Billy to continue the fight, but without the killing.

Dracula travels to the American West, intent on making a beautiful ranch owner his next victim. Her fiance, outlaw Billy the Kid, finds out about it and rushes to save her.

Escaping from the law once again, Billy, Fuzzy, and Jeff ride to the ranch of Jeff's uncle only to find another family living their. They soon learn of Cobb Allen's scheme where he sells a ranch, makes sure the rancher can't pay off his note, kicks him out, and resells the ranch. But Billy has a plan to recover the ranchers' money and he sends Fuzzy to town with a fake map to a gold treasure.

An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.

Gore Vidal's historical novel is brought to life in this television production of Turner Network Television's Billy the Kid.

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

A high school student tries to accustom himself to an unusual phobia, destroying everyone in his path. A nerd tries to eradicate the phobia entirely.

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.

In the second of the "Billy the Kid" series from PRC that starred Bob Steele, Billy the Kid is being held on a trumped-up murder charge in a Mexico jail. He escapes and meets his pal, Fuzzy Jones, in Corral City, Texas, which is taking a holiday to allow the cowpunchers of the Lazy A Ranch their periodic spree. In the saloon, Billy is recognized by Dave Hendricks and Flash, two the Lazy A's bed men, as the rider who had held them up after they had robbed the express wagon a few hours earlier. Outside, Billy is ambushed and slightly wounded, and is taken to the express office by Jim Morgan where Mary Barton, the local agent, agrees to tend him until the doctor arrives. Billy turns over the loot he took from the outlaws and he is appointed sheriff, with Fuzzy as his deputy. The Lazy A gang brings in a noted gunfighter, Gil Cooper, who turns out to be Billy's brother. Billy, Gil and Fuzzy eventually rout the outlaw gang, and Gil remains behind with Mary as Billy and Fuzzy ride off.

Although the Lincoln County War has come to a conclusion, Billy the Kid turns his back on a gubernatorial pardon and continues his lawless career.