Carla Laemmle

A documentary from Universal about the movie "Dracula" (1931) starring Bela Lugosi.

Actress and neice of Universal Pictures founder Carl Laemmle, Carla Laemmle recounts the events that occured while filming Phantom of the Opera, The (1925). Not too much ground is covered here, although we do learn a few things about the creation of Universal Pictures in 1915.

100 Jahre Hollywood - Die Carl Laemmle Story

A wandering neo-vaudvillian becomes smitten with his motel neighbor, a slightly stubborn young woman who is on her way to the state capitol with a unique agenda.

A documentary from Universal about their Phantom of the Opera movies.

A 12-episode serial in which scholastic sports star Frank Merriwell leaves school to search for his missing father. His adventures involve a mysterious inscription on a ring, buried treasure, kidnaping and Indian raids. He saves his father and returns to school just in time to win a decisive baseball game with his remarkable pitching and hitting.

A documentary about the era of classic monster movies that were made at Universal Studios during the 1930s and 1940s.

Born Creighton Chaney, this is a biographical documentary on Lon Chaney Jr, the only star to play all four of the classic monsters: the Mummy, the Wolf Man, Frankenstein and Dracula.

A 40-something gay man has an intimate pool party for his three best middle-aged gay buddies, wondering privately if that special someone might be among them.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

Millionaire Mason Murphy renovates the haunted Mayhew mansion. He plans a tremendous lunar eclipse viewing party to celebrate his return to his hometown of River Ridge Iowa. At the party, magic runs out of control and the party guests are murdered one by one.

Topsy is the main character in this movie. When the black girl who "jes' growed" is auctioned as a slave but nobody will bid on her, Little Eva purchases Topsy for a nickel. That's the one part of this movie that I found plausible: slaveholders often refused to buy children, since their upkeep in food usually exceeded any labour they performed. There's a gooey romantic subplot between Mariette (the niece of Simon Legree) and George Shelby, son of a prominent slaveholder.

The Vampire Hunters Club

A one hour documentary on the life of one of Hollywood's neglected horror icons, hosted by fear fan extraordinare Forrest J Ackerman & interviews with Hollywood legends John Carradine, Ralph Bellamy, Carroll Borland and B-movie producer Alex Gordon.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognises that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

British estate agent Renfield travels to Transylvania to meet with the mysterious Count Dracula, who is interested in leasing a castle in London and is, unbeknownst to Renfield, a vampire. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together, and as Dracula begins preying on London socialites, the two become the subject of study for a supernaturalist professor, Abraham Van Helsing.

A documentary looking at the various conventions and scare techniques of the horror genre.

The deformed Phantom who haunts the Paris Opera House, causes murder and mayhem in an attempt to make the woman he loves a star.

A Russian dance company agrees to stage the new ballet written by a vaudeville hoofer.

Each installment focuses on a different era of American movie history, from the invention of the first moving pictures to the revolutionary, cutting-edge films of the 1960s.

Mark Gatiss examines the history of the horror film, from classic Hollywood monsters to Hammer's glory days and beyond.