Universal Horror

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Making of documentary from the Ultra HD Blu-ray edition of Henry: Portrait of a Serial Killer released on the movie's 30th anniversary.

El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.

In this FilmStruck Original, film critic and What the Flick?! host Alonso Duralde discusses the evolution and progression of gay and lesbian cinema.

One of the dominating figures in Elvis Presley's life was his manager, who was known as the "Colonel". No other relationship in Elvis' life was as controversial and misunderstood as the one he had with Colonel Tom Parker. The truth about their unique friendship is revealed in this documentary.

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

Documentary about the making of Lars von Trier's 1991 film.

Documentary about the making of Nagisa Oshima's 1976 film.

An overview of the making of Terrence Malick's The New World (2005).

Documentary about the Parisian locations for the film by Louis Malle.

Behind-the-scenes documentary about a fundraiser which was staged for Robert Altman's film "The Player" (1992).

A camera crew unearths a thousand year old vampire from Mesopotamia. Years after his rise from the grave, the vampire becomes a famous horror film director and holds auditions for his up and coming film. Four young hopefuls are chosen and are invited to spend the night at the vampire's house. At dinner the vampire reveals his true nature to his guests and the real reason why they are there, to kill him before dawn, as he has grown bored with his existence.

Documentary about Spanish director Luis García Berlanga's "The Executioner" (1963)

Documentary about Nicholas Ray's film "In a Lonely Place" (1950).

In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.

In this new program, choreographer Twyla Tharp remembers her collaboration with Milos Forman on Hair and explains how the entire project was put together.

in this new program, editors Lynzee Klingman and Stanley Warnow remember how they were given the opportunity to work on Hair and discuss the type of work they did to meet Milos Forman's requirements for the film.

in this new program, production designer Stuart Wurtzel recalls his initial encounter with Milos Forman and their professional relationship during the production of Hair.

In this new program, James Mangold (Cop Land, 3:10 to Yuma) discusses the enormous impact Milos Forman had on his maturation as a filmmaker.