Nature morte

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

A documentary about the sea and memory. Its movement is its form. Its strength.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

You are born — without warning — into a dystopia.

Shot entirely on vintage VHS-C tapes and loosely following the greek myth, The One and Only Aethon is a surrealist nightmare. The story follows Aethon as he struggles with his eating disorder and overbearing hyper masculinity. He is coxed by a seemingly helpful weight loss tape from Dr. Milton Mysercough, but something evil lurks that might just be himself...

A meditation on film, language, and human nature.

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

Three images of a person running in the void through the movement of speed and abstract images

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

In the middle of the desolate whiteness, Faceless, who wants to break free from his chains, suddenly starts running towards the shining light. At the end of the path there is no light or anything else.

An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.

A tour de force exercise in optical printing shot in the Chicago Loop

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

A portrait film about a Kentucky drag queen who ran his own club on Main Street in downtown Lexington, Kentucky.

Four young men have the same dream in which a mysterious voice tells them to search for Wal-Mart. They each awake and manage to find each other. A soothsayer offers very clear directions to their destination, but secretly plans to sabotage their journey. Several weird mishaps occur on their adventure.

In the late 1990s, a family of six settles into their new home on Vancouver Island, as internal dynamics are slowly revealed through the experiences of the youngest child, Sasha. Their fresh start is interrupted by the increasingly dangerous behavior of Jeremy, the family's oldest child.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.