Amoré

Funnel Web Family Refrigerated is a refrigerated version of the 13 minute Funnel Web Family i.e. it lasts longer. Similar to the defrosted version it is a prying look at the creatures that inhabit a home. Shot using an early form of wireless CCTV camera technology it places the viewer in an intense voyeuristic position which at times generates a sense of unease and atmospheric disturbance. However with such horror comes a sense of relief and comfort.

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

Three filmmakers bring back images of the forest, they are are reworked and destructured with the means of the photochemical laboratory. Bosco is a visual breakthrough punctuated by a contrasted and hypnotic black and white hypnotic black and white.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

TOTAL

Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.

Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.

Life is Useless

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

Désensé

My Body, My Rules, and Them” is an exploration of the queer body’s struggle to attain validation and evade exploitation. In a society where queer identities have always struggled to be recognized, our bodies have often been a medium of our expression and avenue for satisfaction. However, we, as a community, have subjected ourselves as victims to a system that exploits our vulnerabilities and bodies, to the point of moral decay.

Two robots embark on a quest to become human.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

This is an experimental short-film, named "Point of Life". It's about 4 friends who decide to spend a day on the beach but everything goes wrong when they seem to be involved in a car accident.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

This is a simple test, with a small and personal motivation to improve the history of motion and time, in the mind of the filmmaker. Hanife released it on 26 July 2017 while he had started executive part from 3 weeks before it.

When a girl takes up acting classes to find a semblance of self, she soon finds out that she has more within her than previously thought.

This is a simple test, with a small and personal motivation to improve the history of motion and time, in the mind of the filmmaker. Hanife released it on 10 July 2022 while he had started executive part from 8 month before it.

This is a simple test, with a small and personal motivation to improve the history of motion and time, in the mind of the filmmaker. Hanife released it on 29 March 2020 while he had started executive part from 2 weeks before it.