Metaverse of Madness

Told in the form of a mock documentary in 92 short parts, nineteen million people are left obsessed with birds and flight following a strange occurrence. A documentarian analyses the lives of all the survivors whose surnames begin with FALL to uncover the truth behind the event.

A documentary like no other. Starting with the bizarre practices and fantasies of a group of filmmakers working under the label Experimental Film Society, it spins off into a manifesto of light and sound. This dazzling journey through a view of cinema as cosmic ritual and erotic delirium is also an idiosyncratic celebration of the medium itself. Rouzbeh Rashidi’s ornate visual style unleashes a parade of visionary scenes that redefine movie magic as a fevered hallucination.

TRAILERS unites the most personal and experimental aspects of underground filmmaking with a scope that is as cosmically vast as a science fiction epic. Rashidi’s ongoing exploration into the nature of cinema sees a group of characters adrift in space, each locked into their own sexual rituals while a cataclysm of universal proportions unfolds. Humanity has become a mysterious burlesque show for alien eyes: the gaze of the film camera. This visionary spectacle uses multiple formats and visual textures in weaving an erotic anti-narrative suspended in its own space and time.

When a content creator who runs a successful travel channel faces a romantic dilemma, she turns to an Al bot for help — but gets surprising results.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

A patient escapes from a lunatic asylum and encounters a woman being pursued by a seemingly indestructible maniacal goon employed by a mysterious mobster. He decides to help her, but nothing is what it seems. Not even the past.

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.

Henry, a newly resurrected cyborg who must save his wife/creator from the clutches of a psychotic tyrant with telekinetic powers, AKAN, and his army of mercenaries. Fighting alongside Henry is Jimmy, who is Henry's only hope to make it through the day. Hardcore Henry takes place over the course of one day, in Moscow, Russia.

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

An identical AI twin restores an old mental asylum, where he takes it upon himself to mystically train the patients as warriors for humanity and justice.

Aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel in this music-driven space adventure presented entirely through the use of close-up photography.

DELETE is a short experimental film about inventing a language that can erase other languages, memories, identities and digital traces.

In a secret multiverse shaped by an Artificial Oracle (AO) trapped in an ancient Etruscan quantum computer, Taitle, Master of the Labyrinth, is caught in a lucid dream. Only Vecu, a code-born Nymph, can invoke lost rites to save him before all collapses.

DELETE is a short experimental film about inventing a language that can erase other languages, memories, identities and digital traces.

An assortment of obscure private obsessions, conspiracies and perversions flicker on the verge of incoherence against the context of vast cosmic disaster in Rouzbeh Rashidi’s boldest film to date. This sensory onslaught combines a homage to the subversive humour of Luis Buñuel and Joao Cesar Monteiro with the visionary scope of a demented science fiction epic.

You and AI at the end of the world.

Munich by night. A lonely robot makes its way into the big city. Dance, dance, dance!

Sunmoon is a visual experiment in "blended reality," seamlessly integrating live-action with computer-generated animation. The film follows a young woman's confrontation with her inner selves: Piper, a bionic manifestation of her doubts; Phany, an animal spirit totem; and Sunmoon, her human core. As the timer counts down, poetry and imagination become the only tools left to bridge the gap between digital isolation and human emotion.

In a future without imagination, storytelling means recycling the past. A vintage tutorial, narrated by an AI, guides creators in combining fragments of old narratives, revealing that creation is construction, not invention.