Chronopolis

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

After a flat tire leaves her stranded in the woods, a woman revisits haunting memories of her self-destructive tendencies on the finger nails. As she peels the skin from her fingers, each strip draws her deeper into the past. With every layer, she steps closer to the hidden child within herself.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

a life size stop motion child puppet races through memories and daydreams reflecting on the cyclical nature of life.

Follows Taz, a Tasmanian Devil who seems to be constantly unsuccessful in his attempts to frighten other creatures. But when given the chance, his good nature gets the better of him.

Animated characters introduce a compilation of George Pal replacement animation Puppetoon short films from the 1930s and 1940s.

With music by Delibes, Frantz the photographer is trapped by the terrible Dr. Coppelius who intends to use him in his experiments to bring to life the clockwork doll Coppélia.

An exploration of intestines

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

Confusion settles in the house, how to make it a home again?

A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

In a future without imagination, storytelling means recycling the past. A vintage tutorial, narrated by an AI, guides creators in combining fragments of old narratives, revealing that creation is construction, not invention.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

A load of Halloween monsters freak each other out in a strobing cacophany.

Boogey, a boy who is always in disguise, and Mildred, a witch who wants to be beautiful, simultaneously enter another dimension where their obsessions will become their worst nightmare.

A and N, a couple of peasants create an informal metallurgy workshop in the outskirts of Bogotá in the hope of a better life. The social, environmental and organic consequences they must endure in order to adapt to the industrial capitalism that storms Latin America affects dramatically their relationship and their history.

An experimental animation about sea space aliens having a good mofo time. Hand drawn in a frame by frame relay process between two animators.

(D)Infinity is a Sci-Fi animation exhibiting chaos and beauty in outer space. Using only graphite and paper the film renders the artist’s own interpretations of dimensional infinity. The universe consists from harmony and balance of the four fundamental forces of nature : Strong force, weak force, gravity, electro-magnetism. If the one of the forces is not in perfect figure relative to other three forces, the universe will collapse. The film (D)Infinity is a visual theory of the phenomenon when mankind’s technological advancement impact the nature of the four fundamental forces, which then lead to the destruction and new beginning of the universe.