History of Jirocho Shimizu

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

Young Lord Taihei goes to Edo to find the lost family treasure, a plover incense burner, under the disguise of a ronin.

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.

A single bullet cuts through Kyoto in the last days of the Tokugawa shogunate right before the restoration of imperial rule. Who plotted to assassinate Tokugawa Yoshinobu, who is about to become the last shogun of Japan? Was it the faction wanting to overthrow him or the rebels within the shogunate? Mutual enemies Sakamoto Ryoma, the wandering samurai, and Hijikata Toshizo, a deputy leader of the Shinsengumi and vassal of the Tokugawa clan, receive a secret order to track down the culprit. They are given a mere two days.

Fearless Edo-period police inspector Hanzo Itami, nicknamed The Razor, has developed his own unique way of extracting information for his inquiries. His first adventure sees him investigating his superior officer's mistress, whom he suspects of having ties with a reputed criminal on the loose.

Ryunosuke, a gifted swordsman plying his trade during the turbulent final days of Shogunate rule, has no moral code and kills without remorse. It’s a way of life that leads to madness.

When feudal lord Itakura Katsuakira decides to prepare his samurai troops for the onslaught of modernization by having them compete in a marathon, his independent-minded daughter Yuki secretly joins the race.

Based on the historical figure of Nobutora, the father of the famous Warring States period general Takeda Shingen. Takeda Shingen has proven himself in battle but there’s an even more capable person in his family, his father Nobutora (lit. Samurai Tiger). The son exiles the father and so the old patriarch goes to Suruga to serve the Ashikaga shogun in Kyoto. Decades later, Nobutora, now 80 years old, learns that Shingen is in trouble and the old man returns home to keep the Takeda family alive as a new leader seeks to usurp leadership of the Takeda’s and starts a fight with the great warlord, Oda Nobunaga.

A pair of black-robed thieves who robbed many wealthy merchants in Edo one after another. One of them is a young woman who is called "Aoi no Kozo" because she always takes off her skin to show the tattoo on her back. The target of the robbers was the Kogi, and in particular, the big stores that were under the control of Hotta Bizen. Itami Hanzo, a Doshin known as "Kamisori Hanzo" discovers when he tracks down the Aoi no Kozo! What is the truth?!

1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

When Nizaemon Kumogiri, a major thief quits his job as a thief, he has two more big jobs planned in order to obtain a huge sum of money to enable his many subordinates scattered all over the country to live out the rest of their lives. First, he targets Matsuya, a medicine wholesaler in Nagoya and seduces the master of the shop by using his female subordinate, Nanakake. He then calls upon Sanji, a skilled locksmith to Nagoya, but the bandit Yagura no Fukuemon who is plotting to intercept the thief plots to extract Sanji for a large sum of money. Furthermore, Abe Shikibu, the chief of the firebrand bandit reformatory who is obsessed with Nizaemon's arrest, sends his men to Nagoya.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his family to leave for the city in search of higher pay to support them.

Tokugawa Ieyasu is killed at the Battle of Sekigahara. Jirosaburo Serada, who travels all over the country, becomes Tokugawa Ieyasu's shadow warrior and runs country….