Fighting Tools

A mysterious thief has stolen the prosperous Happy Valley's most prized possession: the musical Singing Harp. Can Mickey, Donald, and Goofy find the answer in the irritable Willie the Giant's magnificent castle up in the blue sky?

Alma, a little girl, skips through the snow covered streets of a small town. Her attention is caught by a strange doll in an antique toy shop window. Fascinated, Alma decides to enter.

Mahonri, the brother of Jared, is a righteous man in wicked Babel. After the tower of Babel is destroyed and the language of the people is confused, the Lord shows Mahonri how to build barges to carry the righteous across the sea to the Promised Land. When the brother of Jared asks the Lord to touch stones to light the barges, his faith is so strong that he receives a great revelation.

"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.

Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).

Koro wants to get to the other side of the road.

Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.

A cut-out of Soviet leader Nikita Khrushchev sails over newspaper articles as they take place. Combines live photography and collage animation in one film.

Flint must quickly alter his plans for a romantic date with Sam after his monkey-cleaning invention goes awry.

Flint's mischievous gummy bear grows to 50-feet by using his new food-modifying invention.

The Foodimals join Earl's scouting program but are very competitive.

Manny saves an adorable kitty with his many skills.

Nancy and Sluggo do their bit for the USO.

The Farmer is abducted by a capering Jungle Goddess. As pre-Code as a Terrytoon ever got. Most animation is by Frank Moser; with him are Art Babbitt, Jerry Shields, Bill Tytla and others.

A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.

The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.

A man is trapped in a sinister flat where nothing seems to obey the laws of nature.

Sergeant Jeong Cheol-min's squad are in a renovated stock room with no window. The squad members are well known to be a hardworking group until Councellor Hong Yeong-soo comes in and starts causing trouble. Hong Yeong-soo seems to have difficulties adjusting to this environment. Things in the army changes rapidly, Jeong Cheol-min and his crew find themselves under attack perceived as the aggressors.