In Beyond Sight, Dália is a teenager desperate to belong, even if it means adopting the cruel prejudices of her toxic group of friends. But when an unexpected accident leaves her blind, Dália finds herself on the other side of the judgment she once inflicted. Struggling to adapt, she crosses paths with a mysterious doctor who offers her a chance to regain her sight—through an experimental substance that promises not just vision, but a transformation into her best self: Zoe.
Following the outbreak of an aggressive virus, a young woman awakes in a hospital bed. As the horrifying events that led her there are revealed, it becomes clear that the cure is just the beginning. This short film is a prequel for the feature film, The Third Wave, which was written at the Binger FilmLab 2012. The project also won the Best Story Pitch award at the Edinburgh Film Festival, June 2012.
Tensions rise within an asbestos cleaning crew as they work in an abandoned mental hospital with a horrific past that seems to be coming back.
A girl finds a boy tied up in an abandoned house on her family's land.
An intense and disturbing horror short film made in 2008 for the "CUT!" competition. British channel Zone Horror. The work explores the sinister atmosphere behind the production of a snuff film from the director's point of view. It was selected among the 10 finalists of the competition.
The daughters of Pandora on a special mission ...
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
Past and present collide when a mythical beast is reawakened by a couple exploring a historic castle on the Isle of Man.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
Scarlet invites her friends to a family dinner but the host's signature dish makes the night unforgettable.
A sleepy Sunday afternoon in an apartment. A woman dozes off in front of the TV. When she wakes up she finds herself in a kind of limbo between dream and reality. And in the periphery a dark figure is moving towards her.
WRATH OF GOD: CONFRONTATION is the first in a series of films with overarching stories that take us from the dawn of human civilization all the way to its technological epitome. A mysterious relic lies at the heart of their pursuit. Some want power to dominate. Others want peace and freedom. In the end, the choice is our own... Adam is a man with a violent past and a desire to escape the terrible wrath he has wrought on many others. Hurt and betrayed, he turns his anger on those who gave him up in search of the relic he helped steal. Kruger is a man whose allegiance lies to whomever pays him the most. Having lost his family to war early in life, Kruger's innocence was twisted into a solitary desire for self preservation at any cost.
One December night, Alice works as a babysitter while the baby's parents go out for the night. As time passes and the night deepens, she begins to receive chilling threats from a man who seems to be watching her from every blind spot in the darkness.
After a young Black couple buys their first home, their American Dream quickly becomes a nightmare when they’re tormented by the ghost of the racist former owner. And when an ill-equipped deacon attempts to expel the ghost, they’re left in even more danger than before.
A child's play turns out to be a nightmare when they set out to challenge an urban legend.
A simple Connecticut farm girl is recruited by a distant relative, an aristocratic patroon, to be governess to his young daughter in his Hudson Valley mansion.
On a quiet afternoon an elderly woman prepares some afternoon tea for her and her husband. This short film was made on a single Super-8 cartridge, edited in camera, shot in sequence with only one take per shot. This was originally made for an Los Angeles film event called: "Attack of the 50 Foot Reels".
After inheriting a jar full of dark liquid, a girl grapples with the terror that ensues when she’s forced to open the lid.
Four men, stalled car, cornfields, and scarecrows. Is that a house in the distance?
Everyone in town knows Simón's story, because like a rumor or an urban legend, it has been spreading among its inhabitants, the few who believe him and those who question everything about his story... But Simón will clear up doubts, recounting what happened during those supernatural events...