Rhyme or Die

Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo (with a vibrating horizontal line) and double bass solo (with a stomping vertical line). For this film Lye did not have to include any advertising slogans; friends at the Tourist and Industrial Development Association, shocked to learn that Lye and his family had become destitute, arranged for TIDA to sponsor the film – to the horror of government bureaucrats who could not understand why a popular dance was being treated as a tourist attraction. - Harvard Film Archive

The murder of a gay recluse by small town religious fanatics forces the dead man's lover, a closeted divorced police detective, to find the remains of his former lover and come to terms with his loss.

Louis Prima, between song numbers, tells how he happened to get a job in a Hollywood cafe playing music while a couple, unrelated to anything else, play a slot machine in the background. This short was reissued in 1944 and again in 1952. Lucille Ball has a bit part. Song numbers include; "Way Down Yonder in New Orleans", "Up a Lazy River", "Dinah","Basin Street Blues" and "Johnny Get Your Gun."

A Screen Song from the Fleischer Studios with the Irving Berlin song "Reaching for the Moon".

In this Halloween Special, Babs Bunny plays the part of host as she and the Tiny Toons gang spoof various popular horror movies and TV shows. Among the works parodied are "Night Gallery", "The Twilight Zone", "The Devil and Daniel Webster", "Frankenstein" and the "Abbott and Costello Meet..." films.

A cannibal stalks a dead-of-night police station

A young man on a bicycle is turning a corner in front of an apparently abandoned building when he begins to hear the ringing of a cell phone. (A prequel to the first version of Ju-on, 2000.)

Two schoolgirls, Hisayo Yoshida and Kanna Murakami, who are tasked with caring for their school's pet rabbits, are sweeping the cages and feeding the animals when Kanna cuts her hand, so Hisayo leaves her alone to go get bandages. (A prequel to the first version of Ju-on, 2000.)

The known world is over, only its ashes remain. In a desperate attempt to reunite their family, Ana and her mother embark on a dangerous journey in which they will face the creatures that dominate the planet and an even more dangerous monster: the one all humans carry inside.

Anna Case sings a song while the Cansino family dances in the background.

A frog is driving his alligator-shaped car when he is stopped by a shapely she-frog who steps into the road. She tells him that her house is haunted, so he goes along to assist.

General Mills' popular Hamburger Helper mascot also known as Helping Hand or Lefty, a four-fingered, left-hand white glove, which appears on the product's packaging, comes to life in a woman's kitchen and tries to grope her and kill her.

Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title.

A short movie directed by french director Christophe Gans (Crying Freeman, Silent Hill) when he was studying directing. It's an homage to Mario Bava and the giallo genre.

The lion dance in traditional Japanese theatre.

A very wealthy, but lonely woman is stalked in her home by a violent serial killer.

The film is a series of images, shown in short takes (anywhere from a few frames to 30 seconds), of more or less fetishistic imagery (something Bouyxou was particularly fond of). After a credit and title sequence written on naked human flesh, the viewer sees the brilliant Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman, and he fondles her breasts while retaining his signature grin. Molinier seems to almost be the 'ringmaster' of the incidents, with almost every minute episode cutting back to him. His presence is one thing that makes this film remarkable; the same sort of aura that exists in Moliniers famous self-portraits and cut-ups is present here, on screen. (esotika.blogspot.com)

After being harassed by a couple of punks, a young woman picks up an old lady standing at the roadside in the rain.

A dark and stormy night in a drugstore. The druggist mixes a potion and falls asleep. The skull-and-crossbones on the bottle comes to life and drips the potion on the druggist.

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).