More than anyone in the cynical film industry, legendary artist Robert Redford embodies the United States' brightest side: perseverance, independence, idealism, and integrity. A champion of active environmentalism and the right to openly criticize any institutional abuse, he has put his artistic work at the service of his political commitments, whether as an actor, director, producer, or founder of the Sundance Festival, a formidable forum for his struggles since 1985.
Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.
In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.
A documentary about Hong Kong cinema mythology via Julien Carbon and Laurent Courtiaud’s experience as screenwriters in the HK film industry, working for Wong Kar-wai, Tsui Hark, Daniel Lee and Johnnie To
Walt Disney said “We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.” Outside of Walt himself there are few people who have brought together and united more animators in the history of the genre than Craig "Spike" Decker and Mike Gribble, known to all as Spike & Mike. They created an animation festival that helped launch the careers of John Lasseter, Peter Lord, Will Vinton, Bill Plympton and Mike Judge to name just a few. Their Spike & Mike festival had an enormous impact on animation that was felt the world over. The festival was known as much for the breakthrough animation it presented as the outrageous antics of the founders.
The horror film [REC] — directed by Jaume Balagueró and Paco Plaza, and released in 2007 — was an unprecedented triumph for Spanish fantasy cinema. Fifteen years later, those responsible for the creation and worldwide success of this cinematic milestone decode its keys and resurrect the myth.
Three researchers work on a paleontological project focusing on two dinosaurs: one fictional, the one created by special effects genius Ray Harryhausen for the film The Valley of Gwangi (1969); the other real, the Concavenator corcovatus, whose remains were discovered in 2003 at the Las Hoyas site, in the province of Cuenca (Spain), very close to where the filming took place.
In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.
The story of the shooting of Satan's Blood (Escalofrío), a film directed by Carlos Puerto in 1978.
Gathering for a Christmas lunch, the film critics and writers of Discovering Film discuss the merits of 20 films from Bill Murray's star turn in Scrooged, the James Stewart classic It's a Wonderful Life, Ingmar Bergman's Fanny & Alexander, to Bruce Willis' memorable Die Hard.
Il coraggio del leone
The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.