The cop Himuro is picked as scapegoat by his superiors because of their own involvement in sokaiya gangster practices.
Kunisada Chuji is a common folk hero who looks out for poor people in the country who are at the mercy of corrupt officials. Intent on fulfilling a dying wish from one of his henchmen, Asataro, to find a decent home for his young nephew, Chuji descends from his hide-out in the mountain, and heads to the city in spite of numerous dangers that await him there.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
A yakuza boss hires Goemon Ishikawa, a modern day samurai, to protect him aboard his cruise ship casino. Everything goes sideways when the famous thief, Lupin the Third, tries to rob the vessel. Lupin's being hunted by a powerful and mysterious man: the so called “Ghost of Bermuda.” With Goemon's employer dead in the ensuing chaos, his honor is at stake, and the only way to preserve it is with blood. But this opponent is like no other, and to make things right, Goemon may need to sharpen not only his sword, but himself as well!
The Man's Crest: I Shall Kill
Forth film in the Gokudo series with Tomisaburô Wakayama
Ninth installment in the "Gokudo" series. Depicts the activities of Shimamura Seikichi and his henchmen.
The first in what would become Toei's most successful, longest-running bosozoku film series. It lasted from 1968 till 1972 through sixteen films.
Barely scraping by making an honest living as a rural yakuza, Hachiya (Yasukaze Motomiya) dreams of the City of Flowers. Unable to conceal their growing frustration at their everyday lives, he and his partner, Sagane (Yoshiyuki Yamaguchi), choose to pursue their own paths as yakuza, hiding a new major source of income from the family. But when the family captain (Kazuyoshi Ozawa) shows up for the first time in ten years...
A detective and his partner track down a call girl with information about a drug cartel. After taking her into custody, they are attacked by cartel members. The detective and the woman manage to escape, but they are soon hounded by a professional hitman hired to eliminate them and recover the heroin stolen by the woman.
After the enactment of the Anti-Prostitution Law, the red-light district in Shinjuku lost its allure. Even the gambling den of the Ryūzaki family was always deserted. Ryūzaki, the boss, declared his retirement in response to the changing times. It was thought that Igarashi, who valued righteousness and principles and had the respect of others, would become the second-in-command. However, he was an annoying presence to Ryūzaki...
The story of male friendship unfolding during a boxing match between the navigator, who took responsibility for the accident and went ashore from the ship, and a young docker, whom he loves like a younger brother.
A young executive has a really bad night after an encounter with a crazed bisexual wannabe yakuza and his horny girlfriend.
The story deals with a juvenile delinquent gang surviving through petty thievery. However, everything gets screwed up when they accidentally steal big bucks from the Yakuza.
The long awaited second film in the Wicked Priest series is a masterpiece of sword swinging fury as Shinkai is asked by a man on the run to bring his young son to live with his grandfather, the master of a ju-jitsu dojo during the Taisho period of the early 20th century. Shinkai then runs afoul of a gangster group using strong-arm tactics to take over the profits from local gambling. When he proves to be more than they can handle, they hire the one man who has the ability to kill Shinkai and exact revenge, Ryotatsu, the karate priest whom Shinkai blinded in the first film. This ultra-violent entry has long been considered the best movie in the series and never made its way to home video before. See a spectacular display of Wakayama Tomisaburo’s martial art expertise in this action packed film. The Holy Grail of sword movies has arrived at last! /Winterheart of CG
Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
Ryūichi and his small gang of Triad vie for control of the Japanese underworld in a crime-ridden Shinjuku quarter while Detective Jojima tries to bring it down.
Ken Takakura stars as Ryoji one of the Aramasa family's loyal lieutenants whao takes the burden of his family being insulted by the Tanuma's family goons, by retaliating on his own. After injuring the head of Tanuma's family, and slaying others along the way, he then surrenders to the law and serves time. Before his last year to serve, the head of the Aramasa family falls ill and decides to retire, Ryoji miss chance to be successor, his old friend is reluctant but accepts. Now this gives the Tanuma family a chance for revenge! But with Tomisaburo Wakayama (Sekine) always having your back, how can you go wrong?
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)