Stuntwomen

The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.

The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

Meryl Streep is one of the most versatile and successful actresses of all time and is still considered a superstar after 50 years of career. She fascinates filmmakers and audiences alike with her broad range of expression.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)

This feature-length documentary delves into the trilogy, opening with the inspiration and vision for the new Batman films and inching its way toward the Rises finale and the culmination of nearly a decade of creative blood, sweat and tears. Candid, thoughtful and extensive, and comprised of revealing behind-the-scenes footage, countless interviews, audition tapes (with Christian Bale and Cillian Murphy doning the cape and cowl), and a narrative grip and momentum all its own, it leaves no stone unturned.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

Memórias de um Filme

Omnibus: François Truffaut

Counter Shot: Departure of the Filmmakers

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

Nostalghia - Sui luoghi di Tarkovskij 40 anni dopo

An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.

Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Short documentary in which Ivan Barbosa follows Tarikh Janssen's career switch. The actor leaves the movie world behind and returns to top swimming. Together, Barbosa and Janssen explore taboo topics such as white innocence, Black identity and the Black Lives Matter movement to expose the absurdity and seriousness of today's racism debate.