In 2011, Maine State Prison launched a pioneering reform program to scale back its use of solitary confinement. Bafta and Emmy-winning film-maker Dan Edge and his co-director Lauren Mucciolo were given unprecedented access to the solitary unit - and filmed there for more than three years. The result is an extraordinary and harrowing portrait of life in solitary - and a unique document of a radical and risky experiment to reform a prison. The US is the world leader in solitary confinement. More than 80,000 American prisoners live in isolation, some have been there for years, even decades. Solitary is proven to cause mental illness, it is expensive, and it is condemned by many as torture. And yet for decades, it has been one of the central planks of the American criminal justice system.
Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.
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Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”
After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?
An eye-opening look at the 'costume play' subculture known as cosplay. "My Other Me" chronicles a year in the life of three different cosplayers, following the subjects as they travel the convention circuit, balancing their home lives with their cosplay alter egos, revealing the profound effects the subculture has played in their lives.
Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.
Men and women in the Horn of Africa and adjiacent regions of the Middle East tell stories of their relationships and contacts with demons and spirits in their life and culture.
A documentary about the centuries-old story of one of the biggest clubs in Brazilian football. From its foundation, the early years, the continental and world titles and the achievementes of its greatest stars.
As director Hakim Belabbes chronicles his journey from his home in Chicago to visit his family in his hometown of Boujad in Morocco, his exploration of family relationships is self-conscious and at times painfully honest. We witness his most private moments with his family. The film intimately explores the domestic spaces and religious rituals of intra-family relationships, especially when compounded by one member's break with traditional values.
Caught between chasing his past and accepting his impending end, a man follows his childhood memories through the dark alleyways and desolate cemeteries of Boujad, Morocco.
Tango of Yearning (1998) is the first episode of an autobiographical trilogy on postwar Lebanon, later including Nightfall (2000) and Civil War (2002). Taking its title from Tango of Hope, a classic ballad by Nur al-Huda, the film draws from the director’s reflections on war, love, and cinema, as well as his personal experience at the public television channel TéléLiban. Conjuring various snippets of audiovisual archival material, the film is a poetic elegy to film, Beirut’s movie theaters, and a city undergoing radical transformation. Mohamed Soueid has long been a proponent of the experimental video documentary movement in Lebanon, playing a significant role in the country’s creative renaissance since the end of the civil war. Originally trained as a news videographer during the war, the experience offered him a facility with the medium, which he further developed by making non-linear documentary films with a distinctly personal take.
After “Letter From a Time of Exile”, the director is back in Lebanon where he discovers that his dreams about his country are an illusion and that the exile in your homeland is by far the worst exile. Programmer's Note: Borhane Alaouié returns to Beirut from his exile. His documentary film constitutes a new letter at the start of the 21st century in reply to the letters of the 1980s. The reconstruction process appears to affect stones more than people.
"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.
The documentary goes through the 23 years of MTV Brazil, taking stock from the avant-garde to the ostracism of the broadcaster that was the main guide for the musical, cultural and social formation of young people in the 90's and 2000's with interviews and testimonials from former VJ's and artists that emerged and became popular in the country because of the channel.
This BAFTA nominated documentary tells the story of some of the brightest mathematical brains of a generation. Each year, exceptionally gifted teenagers from over 90 countries compete for medals at the International Mathematical Olympiad. The film follows a group of brilliant teenagers as they battle it out to become the chosen six selected to represent the UK.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.