Essay on color and its absence

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

With his grainy women's portraits, Gerard Fieret (1924-2009) managed to antagonize the entire late sixties establishment. In his mouse-infested studio he photographed his semi-or wholly undressed models as well as himself. His photographic work is increasingly recognised by collectors and museums. This documentary film by Frank van den Engel was shot during the final two years of his life. The camera shows Fieret alternately lucid and confused, stubborn and cooperative, accusing all and bemoaning his physical decline. (Summary from WorldCat)

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.

Why is it prohibited to sit in food courts if you will not order foods? Why did Isko Moreno, newly elected Mayor of Manila, suddenly withdrew the licenses of bars near university establishments? What is life at night in Poblacion, Makati for Prostitutes? These are the questions that intrigued the group of students from Adamson University from tapping the nameless dilemma of the business industry and figuring in the end if they are ethical or not.

Mediocre

1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.

The brilliant writing and troubled life of Californian Larry Levis came to an abrupt halt when he died at age 49. Is self-destruction required for a serious life of art? Featuring an original score by Iron and Wine and film excerpts by award-winning Spanish filmmaker Lois Patiño, this innovative documentary explores his childhood working alongside Mexican-American field hands, three marriages, friendships with America’s greatest poets, and his own words for answers.

Russian Federation, December 31, 1999. After President Boris Yeltsin's unexpected resignation, Prime Minister Vladimir Putin becomes acting president of the country. From that day and for a year, Vitaly Mansky's camera documented Putin's rise to power. The story of a privileged witness. The harsh explanation of the reason why politics is the art of possibility of achieving the best with the support of many, but also of giving the worst in return.

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

A visual essay on contemporary Kiwi architecture.

Austrian actress Romy Schneider (1938) and French actor Alain Delon (1935), once fervent lovers in the early sixties, maintained a close friendship and a certain working relationship after their breakup until her death in 1984: a universal and eternal love.

Conversations with four people — an artist, a woman struggling with her identity as a high achiever, an actor, and a priest — exploring their inner worlds, their self-image and how they feel they fit into society.

A documentary film about a 70-year-old man who has never in his life had his photo taken. So, one day, he asks a young man to take a picture of him and starts telling his tale of photocopy.

Expedition China invites you on location in some of the world's most intense, hard-to-reach environments with the filmmakers of Disneynature's big-screen adventure Born in China.

Solidão no Fundo da Agulha

Photographer Helmut Newton talks about his work.

In the period 1891-1927, Henriette Roland Holst goes through a dramatic development. As an aspiring poet from an affluent bourgeois milieu she throws herself, full with idealism and conviction, into the labour movement. Within the various socialistic parties however, a fierce battle on direction takes place, wherein Henriette has trouble finding her place. After returning disillusioned from a trip to the Soviet Union, she does not feel at home in any leftist party. Later she will recollect on this period in her biography "Het vuur brandde voort" (translation: "The fire rages on"). The film reconstructs this period with the use of old film material combined with texts by Henriette Roland Holst herself: fragments from letters, poems, speeches and books, sparingly supplemented with personal commentary by the filmmaker.

How have one poet and his single book of poetry from the last century continued to inspire people today? A Life That Sings follows the legendary poet Ya Hsien from Vancouver to Nanyan, to the mobile library from his childhood and to the basement of his current home. Through his collection of books and love letters, the film unearths the treasure trove abound with stories of Ya Hsien's life.

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.