The Last American Colony

In an extensive mini-documentary by Michelle Boley (@roguekite) and Taylor Gill (@taylorcgill) and produced by TYT and Rogue Kite Productions, the true story of what happened leading up to and after the 2016 California Democratic Primary is uncovered.

In San Juan, Puerto Rico, hundreds of artists gathered to pay honor to the work of Puerto Rican artist Myrna Báez. La otra intención (The Other Intention) is an observational documentary that travels through the work of Myrna while visiting artists, such as Petra Bravo, Deborah Hunt, Yiyo Tirado, Gustavo Castrodad, the theater group Y no había luz, among others, to accompany them in their creative process of re-interpretation.

Les pharaons de l'Egypte moderne

A young Egyptian filmmaker recounts his interaction with a group of plainclothes policemen while grappling with issues of guilt and morality.

The life and career of Puerto Rican tenor Antonio Paoli, also known as The King of Tenors and The Tenor of Kings.

A look at Puerto Rico and its cinema through films, documentaries, and commercials from the early twentieth century to the emerging cinema of today. Visual and narrative strategies portray fragments of Puerto Rico's general history and, in turn, answers the questions of who, when, and for whom have ​​films been made in Puerto Rico and the resources that are available to do it.

A documentary about America’s current militarized police state, the liberal use of deadly force against unarmed citizens, and a possible pending economic collapse. The world reels with the turmoil of war, geological disaster, and economic collapse, while Americans continue to submerge themselves in illusions of safety and immunity. While rights are sold for security, the federal government, swollen with power, begins a systematic takeover of liberty in order to bring about a New World Order. Fear-mongering, terrorism, police state, martial law, war, arrest, internment, hunger, oppression, violence, resistance. Neighbor is turned against neighbor as the value of the dollar plunges to zero, food supplies are depleted, and everyone becomes a terror suspect. There are arrests. Disappearances. Bio attacks. Public executions of those even suspected of dissent. Even rumors of concentration camps on American soil. The GRAY STATE is here. It always was. By consent or conquest.

Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.

PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".

Explores concerns about uterine cancer and the value of the Pap Test in detecting this serious type of cancer.

A musical look at the invaluable contribution made by women to Puerto Rican music.

A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.

'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.

Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.

In the name of the struggle against terrorism, a special operation - code named CONDOR - was conducted in the 1970s and '80s in South America. Its target were left-wing political dissidents, the organized labor and intellectuals. Condor soon became a network of military dictatorships supported by the U.S. State Department, the CIA, and Interpol.

The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.

Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.

This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.