MR. SUN'S HOTPOT

A day of Xiaoyang, the curator of a village church. Xiaoyang and her husband have just registered their marriage, but they cannot hold a wedding in the church for her husband is not a Christian. Before the wedding, she is waiting for her husband’s baptism.

A boy with horns gathers a group of Cosers, each armed with the same traditional woodworking tools, from the grocery store, the old cathedral, the gatehouse, the forest, the farmyard, the electric mahjong parlour, the old castle and so on. At midnight, with clumsy labor, they made a huge cross.

One boy, one girl. One close space, one silent night. What is the relation between them? The great works in art history structure, influence their relations, and show us something. At the same time, the boy and the girl convey their experience and taste on these works. Usually, a boy and a girl will make love to end a scene or a film, but it didn’t happen. It seems that they spend the night clearly, but the tomorrow is still unknown.

The core of the work is to explore and experiment the viewing mechanism of the image. Try to recreate the third space with the characteristic of "halo" through images. The halo points to ambiguity and a sense of distance, while the third space is the difference space constructed by reality and consciousness. The work uses fragments of daily life and poetic non-linear narrative as two narrative means, interspersing and advancing the narrative, which corresponds to the two viewing states of the audience, namely reverie and trance, and hopes to connect the audience with the image in the form of flowing water.

The film tells about an artist named Banpo, who suddenly returned to Songzhuang one day in 2019, silently packed hundreds of his paintings, packed his luggage, attended the worship service, watched an exhibition, and then said goodbye to his old friends. Finally, he completely left the story of Songzhuang in a quiet early morning. This story seems to be during the process of documenting artist Banpo moving out，the director reveal a huge change in the environment the artist lived in. As if the artist Banpo has foreseen the turmoil of 2020(as Coronavirus epidemic spreading across the world, a massive demolition began at Songzhuang Art District. Many artists, like Banpo, have left Songzhuang. The small town once was famous for Chinese contemporary art 20 years ago, is now gone.)

You Can Stare Like Aura Of The Sun

Xu Wangsheng, an elderly migrant worker who returned to his hometown, had a relationship with his son Xu Chao because of his years away from home and his wife's illness. The crazy girl and Xu Chao had no guesses, and later they were stimulated outside. On the night of the winter solstice, Xu Chao was seen by his father when he raped a mad woman. Since then, the mad woman has Xu Chao in her heart. Xu Wangsheng asked someone to find a daughter-in-law for his son. When the blind date, Xu Chao deliberately opposed the father, causing the blind date to fail. The father and son were completely overthrown. Xu Chao secretly went to Guangzhou. On the thirtieth night of the year, Xu Chao died unexpectedly on the way back from Guangzhou. Xu Wangsheng decided to find a ghost wife for his son ...

A series of processes weave a dragnet, covering the lives of animals, and also trapped in the future of human beings. If we exchange identities with animals, will you choose to suffer or fight?

Jiang Xue, a well-known investigative journalist, began an in-depth investigation into the political injustice that happened in his hometown nearly half a century ago. "Xue‘s investigation" was one of Jiang Xue's main self-media at the time, but it was suspended in a short period of time because of the depth and sharpness of the work and the courage to reveal the truth of the incident. During the filming by Jiang Xue, the video version of "Snow Visit" produced by Tiger Temple was only made in the first phase of the film and one person (Xiang Chengjian) died prematurely, making it a precious historical film.

Since 2007, the director of this film has initiated and participated in charity activities for the relief of the refugees in Tiananmen Square. The main line of the film is the director and Japanese friendly people who visited the refugees in Nanxiao Street, Beijing, where they lived in 2014, and tracked the scene of their livelihood on Tiananmen Square. The film was edited in combination with the old video materials shot by the director for eight years.

‘Body’ is an object we are all familiar with. For British sculptor Anthony Gormley, it is a medium for expressing thoughts about space, while for young female artist Wang Ying, it is a potential vehicle for expressing emotions. This documentary uses a split-screen method to create a three-dimensional space like a "body". It not only explores the artistic concept and development of Wang Ying, a female artist born in the 1990s who studied in the UK but also completed it on this basis. The documentary creator (me) thinks about her and her body, from'meeting','seeing' to'existence'

Cheng Sanhe, the first "Kanu" who successfully filed for bankruptcy in Taiwan, went from being inexplicably indebted at the beginning to realizing that he had already owed millions of debts. The bank's collection and the finance company used threats and intimidation to collect debts. Sanhe has since fallen into the hell of "using cards to raise cards". Taiwan’s first "card god" Yang Huiru, who successfully profited from banks with bonus points, used the loopholes in bank bonuses to successfully connect relatives and friends to purchase tickets or shopping station goods by swiping cards, and then use online auctions to earn the difference. Earning millions in the bank, the bank stopped using credit cards. Yang Huiru, who has also experienced personal pain, persuaded the card slaves to face reality: "Hurry up and cut off the card! Because the interest is too heavy, don’t think about borrowing another cash card to pay off the card debt. It’s getting deeper and deeper."

An Ling is a successful writer of romance novels. What is unknown is that all of her novels were written by her deceased mother but published under her name. The publisher urged her to write her seventh novel, but she had no romantic relationship before and was not good at writing. When she was involved in a production, she met an actor, Zheng Yuan, and had an affair with him. An Ling got what she wanted, but she didn’t know how to handle the conflicting feelings she had deep inside. The story was inspired by something that happened in the intoxicatingly beautiful spring of 2016. This was my last film during my undergraduate years. I always wanted it to be completely engraved with my personal imprint and represent all my style preferences. So then I began to construct the story, a proud but timid woman with secrets in her heart and a group of hilarious mundane people, what would happen to them in a mountain forest surrounded by mist and fog…

In Southern Beijing, a father and his son who relied on each other were struggling to live, and two daughters wanted to seize their father's retirement expenses for their own personal gain. And misfortunes came one after another. The 60-year-old demented son was deliberately abandoned by his brother-in-law, and the young tenant went astray for so-called love. Life was getting tougher. In the constant struggles, the 90-year-old father felt hard to bear the burden of life, and wanted to end his life with pesticides with his son. The film ends here and leaves the suspense, in which the cold-bloodedness and fetters of kinship are vividly displayed. The feeling of powerlessness goes straight to the hearts through screen. Two people’s lifetime adding up to 150 years come to an abrupt end.

This story happens in the southern part of Beijing. Lee, the motor-taxi driver's and his family live in a dilapidated tenement yard. His disobliging sister always asks him for the relocation of the tenement yard and urges her brother's family to repay the money. Kai's classmate, named Er Dong, a bad boy whose father is the lecherous principal, frames a case against Kai that he had stolen the monitor's cell phone. The teacher always looks upon on Kai, he denounces Kai without any investigation and gives a slap on Kai's face. Kai hit the teacher with a brick in great impulsion and the principal dismissed Kai. Because of this, Lee has to beg the principal for retraining the punishment on Kai, besides, Lee has to offer a bribe for his son. At last, grandpa passed away quietly, lee was arrested by the police because of the prostitute's tip-offs. Kai stands lonely on the rooftop of his dilapidated house, sees the blinding sunlight and hears the cockcrow......

LIU Yisi is a seven-year-old boy. His parents are divorced and he lives alone with his mother. One day, mother's boyfriend came to visit us. During dinner, his father called and said that he was going to work in another place. He hoped Yisi could live with him for a while, but Yisi refused. Lewis found out that his mother's boyfriend was spending the night. Lewis was upset and went to his father's house the next day. Yisi and his father gradually warm up, but was told by his mother that his father went to the other place has nothing to do with work, just because of a wealthy woman. Feeling his pride hurt, Yisi again treated his father coldly. After experiencing the cold war and running away from home, father and son slowly untangle their feelings, reconcile and say goodbye.

"Chang Jiang is a boy of passiveness. He was sent to a Rehab Center because of his addiction of Internet and fell in love there. After five months of treating, he was “healed” and went back to the real word where he found himself lost and incapable of dealing with real relations when he fell in love for a real girl. One night, he sneaked out to an Internet bar while his mother was asleep. But it has been too long that he hadn’t been online, his once online-lover has disappeared. And to his surprise, he found his mother waiting just outside when he stepped out of the Internet bar.

The work reflects on the relationship between technology and us by constructing an advanced technological product from the future. This future product will replace people's worship and spiritual sustentation of the power of gods and Buddhas in religion with technology, turning the invisible into visible. This paper probes into the possibility and influence of the deification of technology in the future, and puts forward the solution of "love, nostalgia and nature" to relieve the pain caused by the excessive intervention of technology.

SUN GLASSES

A young girl Pui and her father live together leaning on each other for support, but they still feel lonely and insecure. At the same time, the young girl is haunted by the death of her mother. After small accidents, she magically starts to walks into an Another World over and over again, where memories and realities intertwined, but she has no idea whether it’s a dreamworld, or a ghost land.