Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.
Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.
Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.
The father tells his daughter Nunu a lie that there is a cow in her milk cup. She believes it and drinks up milk, but there isn't any cow. Her father tells her a variety of lies, which Nunu finds increasingly difficult to believe.
Part mournful meditation through documentary footage, part experimental narrative. This film looks at the life of the Chinese who have been displaced within their own society.
Andy is a novelist who works from home. One day, a girl mysteriously appears in his toilet. She claims to be from the future and needs his help. Her name is Pomegranate.
Working as a secretary for a legal office, Xiaofen records clients detailing the sordid aspects of their lives: divorce cases, medical malpractice suits, financial corruption and old-fashioned personal revenge. Xiaofen starts to question her own relationship with her boyfriend (Deng Gang), fresh out of prison and looking to get into trouble again with his gambling habit. While Xiaofen deals with the overwhelming social malaise surrounding her, rumors spread of a disaster at the local chemical plant, threatening to poison the entire city.
The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.
Truth becomes fiction when the fiction's true; Real becomes not-real where the unreal's real. ——The Story of the Stone
Hong Kong, at the height of the protests. A young woman visits her father, whom she has not seen for a while. Her plan is to have lunch with him before the Umbrella Movement reaches a critical juncture. Celebrated, committed filmmaker Ying Liang contributed with a beautiful moving short with an special angle asking: Where do we live, and what is citizenship?
Three scenes about three couples with each portraying maybe the turning point of their relationship. First scene, Lim & Amelia are a couple who had been together for almost five years. While he works as a salesman and trying to save up for marriage, the girl are not sure if he’s the one she wants to marry. One day he confronts her about a letter from her admirer. Second scene, Pete & Bernice are a couple who had been together almost ten years. They’re not married because he doesn’t believe in marriage. While she tags along, one day she might realizes this may not be the man she wants to end up with. Third scene, we see Amy & Lai are a pair of secret lovers. This maybe their last meeting or maybe not. They may had loved each other in the past they may not now in this scene. This is the third and final part of James Lee's Love Trilogy which takes offers a glimpse of the life of three lovers.
Xiao-Li is a devoted housewife and an active member of her local Catholic church in the farmlands of southern China. Her faith is put to the test when her husband is hospitalized with respiratory illness caused by unsafe working conditions.
The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.
At a picnic in the countryside, the woman accidentally strikes a shuttlecock into water. The man leaps into the river and then I hear the mountain wind.
On that afternoon, an old man quarrels with the driver on a bus that runs between the old town and the new.
The film is about the north of Guangdong a village farmer water life tragic story, in order to live, in order to be able to let his sister read, in order to be able to raise money to keep the death penalty brother. Sell blood, sell son, even sell his wife, finally sister did not continue to read and ran to Shenzhen to work, made the death penalty brother finally also can not keep life, A water finally because of selling blood got ghost guy died, and her wife Autumn Moon also died in the charcoal under the waterfall pool
Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.
Poet Wolf (Lang) chose to starve himself to death, in a beautiful flower blossoming Spring. This is a poetic, aesthetic and brutal film that adapted from the true stoy of Poet Wo Fu's suicide.
A policeman investigates an introverted signal-station manager suspected of raping a hotel clerk.
An orphan mutters his personal history in The Good Place. He is getting louder and louder because he doesn’t want his history to be locked in the small dark room forever just as his body has suffered. Little Bunny is who he says the most intimate person in his life. It turns out he and Little Bunny share the same history.