Pearl

Xuan is a young man working in the film industry in Beijing. To make a documentary film that he wants to present at international festivals, he decides to take advantage of the holidays of the Day of the Dead to return to Chengdu, his hometown located at the other end of the country. The documentary he is about to make is about his relationship with his own lover. He leaves for Chengdu, accompanied by another man, Bo, the cameraman of the film. The two men take the train to Chengdu where Hong, Xuan's lover, is waiting for them. From the first moment of their arrival at the station, Xuan and Bo begin to turn with their camera, Xuan having already explained to Bo what he wanted to film and that Hong would always be "playing", Bo then trusting in Xuan. But Hong is more and more opposed to this camera and the presence of Bo.

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

The father tells his daughter Nunu a lie that there is a cow in her milk cup. She believes it and drinks up milk, but there isn't any cow. Her father tells her a variety of lies, which Nunu finds increasingly difficult to believe.

A boy with horns gathers a group of Cosers, each armed with the same traditional woodworking tools, from the grocery store, the old cathedral, the gatehouse, the forest, the farmyard, the electric mahjong parlour, the old castle and so on. At midnight, with clumsy labor, they made a huge cross.

One boy, one girl. One close space, one silent night. What is the relation between them? The great works in art history structure, influence their relations, and show us something. At the same time, the boy and the girl convey their experience and taste on these works. Usually, a boy and a girl will make love to end a scene or a film, but it didn’t happen. It seems that they spend the night clearly, but the tomorrow is still unknown.

A day of Xiaoyang, the curator of a village church. Xiaoyang and her husband have just registered their marriage, but they cannot hold a wedding in the church for her husband is not a Christian. Before the wedding, she is waiting for her husband’s baptism.

Andy is a novelist who works from home. One day, a girl mysteriously appears in his toilet. She claims to be from the future and needs his help. Her name is Pomegranate.

Luo Liang, a young man trying to meet the expectations of family and work, has come to town looking for something better but is unsure of his lot in life.

The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.

Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.

Four college students from Shandong University of Technology planned to make a documentary about the folk culture of ghosts and spirits. They went to a village in Heze City, Shandong Province, and made some interviews with local villagers. During the interviews, they heard a lot of local weird tales. The shooting of the documentary went smoothly, and that night, they chose to stay in the village. At this point, strange things, however, began to happen...

Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.

Originally conceived as the film for government propaganda but couldn't pass the censorship. Five punks found Dong Jianguo, a millionaire wearing the dog chain being trapped in the trunk. They kidnapped the millionaire and started to konw the love story between Dong Jianguo and a woman called Bobo.

A policeman investigates an introverted signal-station manager suspected of raping a hotel clerk.

The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.

The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.

Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.

It has been a month Chang's wife Ling Yue has been missing. With no reasons one fine day she went to work as usual and then never returns. No one knows where she went or what had happened to her. Chang could not figure out why she disappears out of the sudden. She left no message of whatever kind or clues. One day a man named Tong shows up and claims to be Ling Yues lover. Apparently Tong is looking for Ling Yue too. In a turn of event both men formed an uneasy alliance in order to find Ling Yue

Burial Rites become the mise-en scene in which politicians, the media, a monk and an infuriated neighbour vividly portray the aftermath of an accident.

At a picnic in the countryside, the woman accidentally strikes a shuttlecock into water. The man leaps into the river and then I hear the mountain wind.