WHO IS MY LORD

After 30 years of cold war, Taiwan and China finally opened cross-strait trade and tourism in 1980. However, through decades of political and educational vilification of their counterparts by the KMT and CCP, and despite close economic and cultural ties, what lies beneath the diplomatic relations is a disconnect and mistrust that cannot be denied. KE is a failed business in Taiwan who hopes to start over as a 'Taiwanese Expat' in Shenzheng, China with a Taiwanese company. Lili, a laborer from China, meets her Taiwanese husband online and moves to Taiwan in hopes of a better life. Both KE and Lili cross the straits in hope of achieving what they cannot find in their homeland. But how much do they really know about that country across the straits?

In rural China, the job of enforcing the Communist Party's one-child policy falls on government bureaucrats tasked with imposing fines, birth control, and forced sterilizations. Xu Huijing documents this process in his native village of Ma, following the tenacious efforts of the local birth control chief during an increased sterilization quota period, revealing the absurd and tragic local consequences of high-level government policy. (Chicago International Film Festival)

Taiwan's democracy is the envy of Chinese people all over the world. At the same time, when this two-party system-'blue' and 'green'-get at each other's throats, it seems to cast a dark cloud over this beacon of advancing democratization. How does the young generation, many of them first time voters, feel about the political environment they've inherited? Will they allow for their political differences to drive a deeper wedge into the Taiwanese society? A year and a half before Taiwan's 2012 Presidential Election I gathered a group of young people from across the blue and green spectrum to participate in a political dialogue. Although they're from opposing parties, they were willing to talk politics. Through these deliberately arranged dialogues, what sparks will fly?

The location of Hunan's southwestern Hunan, the local economy is not active, the people either go out to work or go up the mountain to mine. Due to the constant mining disasters, despite the government's efforts to rectify and regulate, many people still illegally mine. Miners often do not pay attention to the protection of mines. Many years later, many miners have pneumoconiosis. The film started shooting in 2010 until 2018, with a filming period of nearly ten years, until the death of Zhao Pingfeng, the protagonist of pneumoconiosis, leaving young children and mentally handicapped wife.

Li Shouwang is the leader of a blind storytellers team, learned storytelling at the age of 19. His childernare living hard in other cities. Li's money amost goes to his children's pocket every year. But with urbanisation, the storytellers have lost almost all their audience. As the conflict between the storytelling team and the village team intensified, his son, who was far away from home, became the only spiritual sustains... When he was excited that his son would be taking his family home for Chinese New Year, what's await is a sigh.

In Yuncheng County, Shandong, there is a girl born in the 90s named Han Wenjing who was paraplegic in a car accident in her childhood. As Han Wenjing gets older and older, she is worried about her future life. Marriage has become the biggest concern of parents. Han Wenjing got acquainted with a soldier online, but finally broke up under his father's opposition. The younger sister-in-law also had a dispute between the two over her marriage. When Han Wenjing was depressed, her father proposed to carry her to Liangshan. First, fulfilling Han Wenjing's wish was also compensation for Han Wenjing. Later, Han Wenjing met a dumb while studying e-commerce sales. The dumb liked her very much. Both parents were satisfied when they met. However, Han Wenjing felt that she still couldn't accept the disabled and wanted to try to combine healthy people, even if it failed. Under the pressure of her parents and sister-in-law on Han Wenjing, Han Wenjing still insists on her choice

The year 2003 is a rather turbulent period for Hong Kong – the economy was in recession, the government constantly implemented futile policies, the SARS outbreak, and, on July 1st, 500,000 people went on strike opposing the adoption of Article 23 of the Basic Law. It was against this political atmosphere that YIN Zhao-Jian gave up his social worker job, a 10 year long and steady career, and joined the political circle and participated in the district councilor election, which he had no idea about.

Early in the morning, the priest read in the church at the disabled orphanage. At dawn, the villagers entered the funeral ceremony during the prayer ceremony. In disabled orphanages, there are babies in the youngest children. Two children attending school together did not attend the class normally. More children with reduced mobility can only be dazed and crawl on the ground. But they are also God's people and attend worship services in the church. The autumn mist was hazy, and a new cathedral was being built in the village. Insects, kittens, puppies, orphans, villagers who worship, all life is safe. At night, the tired priest went to sleep after finishing writing. In his dream, he reached a graveyard and remained silent with his dying mother. Seasons are changing, rainy days, winter snow, orphans wear thick winter clothes, making movement more difficult. The cathedral was built, and people celebrated the biggest Christmas day of the year.

Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.

This film is a realistic record of a sixty-year-old couple living in a remote village (Gurenay) in the Badain Jaran Desert of Alashan, Inner Mongolia plant thousands of mu of ammodendron and euphratica to fight against expanding deserts.

Xiayao Village, Youyu County, Shanxi ProvinceThe 7-year-old and big-footed Bai Nu and Liu Buhan, both of whom died because of their loved ones, were brought together with their three children more than 40 years ago. (Bai Danu 2 Men 1 Women) (Liu Buhan 3 (Daughter) Nowadays, the children have become grandparents, and most of them are not next to Bai Bainu and Liu Buhan. The children of both sides have differences over the old age of raising the two elderly people ... so despite the two They are all in their eighties, and still need to get up and return to the field to farm in the morning and night, and the old lady Bai is more because of her little feet, she has to stagger in the wind and rain, kneeling in the fields ... A foot-binding old lady faces the camera and talks to her little feet ...

A highway is waiting to go through a quiet village in Hunan, a province in central China where Mao was from. Due to the high cost of construction, construction companies and migrant workers who live on road work rush to here like the tide. In the following four years, they root in this strange place for interests, paying sweat and blood, even their lives. With their arrival, local village and peasants are forced to change their lives. Many hidden interest lines and hidden rules about road construction of the nation are unveiled, together with the shocking truth and emerging secrets.

The old man who has no dreams, forgets the dream of the dream, said that the dream of being educated, the child who is chasing dreams in the streets, can we really have a dream? In front of the new crisis that has aroused the new crown virus, I came to Yunnan with a camera, I hope I can reactivate my movie and a few musician friends who have already realized it is facing new challenges. In Kunming City, a child of a roadside stall, every day, like a beast is usually playing in the road of the car, only six years old, he has not started to go to school, and his parents did not take care of him. . And when they said their dreams, the dream of teaching with strong people, and it is incorporated with this. The dream of spiritual medicine may not exist at all, but it is really a tragedy, and the tragedy is staged daily.

I came to the "90 km-long traffic jam, road transport of coal (news)," the Shenmu and Fugu, Coal makes this town less than one million people among the Chinese economy in the forefront. And arrived here three days later, Pass me a tramp pointing to the front for me, "in front of you can find a dream." I gave up being shocked shoot spectacular traffic jam events. I start shooting those who rub shoulders with Seoul before, Children, adolescents, youth, middle-aged, elderly. We talked about the harsh reality of the real Titanic, We are also talking about the illusory ideals, My ideal also quietly began to grow from here.

These are conversations I had with four football partners respectively on the way to the football field，on the way back from the football field，on the way to class，on the way to the bar. The content revolves around freedom，love, meanings of life and so on, which is mainly about their views on the life situation of themselves.

Following the mother of martyrs Pro-Ukraine, Qingwen who missed her lost son Guo Zhenggao and accuse the brutal of the war that takes up so many life.

This film cross-cut the "Odessa Steps" chapter from the famous war movie "Battleship Potemkin" (1925) and the actual footage of the Russo-Ukrainian conflict in 2022. It uses a 21st-century "Montage d'Attraction" to explore The circle of history, the contradictions of civilization, and the crisis of life.

The documentary "The Garden" focuses on the "old city renovation" project of BaDaHu Residential area in Qingdao. After the film was released online, the renovation project of this residential area became the only illegal demolition activity that was stopped in China in 2010. A special report by China Central Television revealed that this project was demolished and built without government approval by impostor, fictitious official letter.

In the Chinese New Year of 2017, Solar and I went together to visit David Zhang who was practicing kung fu on Wudang Mountain. As the three of us interacted, we observed and looked after each other. We also filmed each other to document and reconstruct this experience of listening to each other and growing up.

A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.