We Make Antiques! Osaka Dreams

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

In late 90s Osaka, three people from various walks of life meet by chance. They team up to orchestrate a complex financial con targeting crooked businessmen in an attempt to solve their respective financial woes.

A family drama is born that depicts the youth of the heroine, who dreamed of working at an expo with the desire to connect with people all over the world, and her family, with a heartwarming touch.

The Fable is a legendary yakuza hitman equal to none—but his boss orders him and his sultry associate to lay low and learn how to live a "normal life" in Osaka.

The action takes place in a city where you can live on only 100 yen a day. The "General", who indulged in gambling with his henchmen all day, he was running his business and hitting him with a taxi turned out to be a trifle for him. A unique work, filled with tears and laughter, praising the beautiful human love that blooms at the bottom of life, focused on the genius “General” who lives in the troubled city of Kamagasaki.

Daisuke is in the 2nd grade of high school and he plays on his school's baseball team. Daisuke then takes part in a gourmet contest with 3 of his friends and 2 girls, including Miki, from a nearby girls' high school. The gourmet contest is held to revive the village.

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.

A not-so-heartwarming tale about capsule toys, the nightmare of obsession, jealous rage, and a slimy, stop-frame animated tiny monster.

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

Despite his efforts of living a normal life as a banker, the life of Toru, the only son of the Yubari Family, becomes disrupted by trouble brought on by his father. When his father’s battle against his rival group the Miike Family ignites, Toru becomes more involved in the turf war than he wished for.

Tarō Okamoto became world-famous by designing the “Tower of the Sun” at Expo ’70 in Osaka. The ideas and problems that came with its creation, however, are intertwined with the evolution of Japanese culture – from the Paleolithic up until modern times. In his documentary debut, director Kōsai Sekine takes us on a philosophical journey that transcends the visual limits of documentaries.

Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.

With the price on his head ever increasing, John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.

Naniwa Kinyudo - Haibara knocks on the door of Imperial Finance!

ナニワ金融道 2発目〜銭と泪と権利と女〜

In 1969, Kenji, an elementary school kid and his friends built a secret base during their summer holidays. They fantasized that they had to fight villains who were out to conquer the world and wrote them in the Book of Prophecies. Years later in 1997, Kenji becomes a convenience store manager and leads a regular life after giving up his dreams to become a rock star. His boring life is suddenly turned upside down when his old classmate dies mysteriously and an entire family in the neighbourhood disappears. At the same time, a religious cult and its mysterious leader, Friend emerges and a strange chain of events duplicating exactly the events described in the Book of Prophecies follow. Is this the beginning of the end of the world? Who is Friend?

ナニワ金融道 3発目～大蛇市マネーウォーズ～

Haitoku no mesu

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.