CBC News Newfoundland Labrador's documentary entitled “Trail of the Caribou” traces the journey of the brave men of the Newfoundland Regiment. Created to mark the 100th anniversary of the Battle of Beaumont-Hamel, the movie gives a detailed account of the role the Regiment played in the First World War, putting faces to the story. Since the War, Caribou statutes were constructed in Europe to memorialize the significant places the Newfoundland Regiment fought. Trail of the Caribou transports the viewers to these places to trace the footsteps of the Newfoundland soldiers.
In Algeria, pottery is different from one region to another, the result of the various influences it has undergone throughout history. If the manufacturing steps are substantially the same, the result is far from identical. In Kabylia, for example, the pottery, decorated with patterns, is red in color. In the south of Adrar, there are objects with rather original shapes and black in color. The pottery of the Nementcha Mountains is fashioned in clay with pink tones and decorated with brown designs. Originally, objects were made in families and exchanged between neighbours...
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.
Horizons...
A 5-year-old girl embarks on a harrowing quest for survival amid the sudden rise and terrifying reign of the Khmer Rouge in Cambodia.
A German tourist who gained fame in the 1970s after becoming lost in America and a washed-up one-hit-wonder indie rocker are connected across history by feelings of having already peaked.
Mike Tyson escaped a life of poverty and petty crime to make a name for himself, becoming the youngest Heavyweight Champion of the World and a household name—but his rise was followed by a very public fall. In this remarkably candid portrait, the boxer addresses his controversial past, including the rape charge that sent him to prison and his struggles with substance abuse, while also detailing his ultimate recovery and comeback.
How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.
A look inside one of the most brutal campaigns of state repression in modern history - told by those who endured it and those who enforced it.
Defenestrace 1618
Based on a true story of a meeting in June 1945 between two powerful men with very opposite philosophies and perspectives on the future of their country.
ABC's Wide World of Sports first started spanning the globe in 1960, and a generation of sports fans and weekend TV viewers were hooked from the start. In this videocassette, featuring highlights of that first decade, Wide World captured the famous moments of competition all over the globe.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
The driving force behind our transformations, an instrument of social affirmation, a weapon of emancipation: how did perfume, from a simple bottle, become both a reflection of our personal revolutions and an object of gender manipulation? Over the centuries, its notes have been in tune with those of history, clinging to the necks of struggles and the wrists of wars. Its bottles have perfumed wars and revolts and continue, even today, to reflect the social norms that surround and confine us. This film, like the book from which it is adapted, is a declaration of love for perfume.
To help prevent the unthinkable from ever coming true, it is important to know what could really happen....the most awesome and deadly display of warfare that the world has ever seen.
A film commissioned by architects Vitangelo Ardito and Nicoletta Faccitondo (Polytechnic University of Bari) as a companion piece to the book 'Umberto Riva. Perciò è sempre una sorpresa - 19 conversazioni'.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
In 1587, more than 100 English colonists settle on Roanoke Island and soon vanish, baffling historians for centuries; now, experts use the latest forensic archaeology to investigate the true story behind America's oldest and most controversial mystery.
Fabiana, Carlo, Claudio and Vincenzo… I met them in 1982 in Mercatale, their village in Tuscany, near Florence. They were aged between 25 and 45 and were cheerful militants in the Italian Communist Party, that strange party which has made its mark on history and which was both a school and a family for them. I have filmed in Mercatale every two or three years for over 20 years (1982/2004). The fi lm takes the “long view” of their political and personal development against the backdrop of village life. Stories with both human and political interest spanning over a quarter of a century with relevance for present day issues: what has become of the plans to change the world in Berlusconi’s Italy? From a more global perspective: what else can politics do? When the time comes to take stock the paths of their rich and varied personal lives cross once more with all their doubts and allegiances.