Mnésia
Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.
Jóh do Forró - De Lá Pra Cá
In this short documentary, the life story of Buck Southworth as a U.S. Air Force aircrewman is told and narrated by his wife, Priscilla Southworth, now a Cemetery Volunteer at Cape Canaveral National Cemetery. This is a remarkable and touching documentary about bravery, mission and love.
Lost in the Bewilderness is a feature-length documentary about the filmmaker’s cousin Lucas, kidnapped at age five from his native Greece, and found on the eve of his 16th birthday in the US. This story of international parental abduction, filmed for over twenty years, chronicles Lucas’s journey of growth and self-discovery, and culminates with Lucas becoming a father himself. Lost in the Bewilderness is not only a detective story but also a lyrical meditation on childhood, lost and found, and an exploration of how the themes of ancient Greek myth and tragedy, with the family at their center, are still very much alive in the modern world.
The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.
«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»
Documentary taking a look at the making of the controversial 1978 film I Spit on Your Grave.
Sin libertad: 20 años después
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
A portrait of Toronto, as defined by the spaces its queer residents inhabit and the memories they’ve created there.
When the electricity goes out on hot summer nights, there is no refuge for the family other than the roof of the house, these nights have turned into a distant past that carries many memories full of nostalgia
Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.
The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.
Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution
Roberto tries to interview his grandmother to find the story behind a family secret. There are two relatives whose faces are crossed out in all the pictures and nobody talks about them.
Mujeres en la isla: las otras hijas del mestre
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
In Memoriam (La derrota conviene olvidarla)
In California's Bay Area, a painful memory lingers of the Port Chicago disaster of WWII, when hundreds of the Navy's first Black Sailors perished, and the White officers in charge were protected by the chain of command.