Focusing on a photograph of a migrant woman, known as the “Mona Lisa” of the Great Depression and a symbol of poverty, this study explores why photography embodies an indeterminate (im)possibility and how its latent power transforms into an event.
Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.
Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
Por ser mujer
Wittig Yes! introduces Wittig’s political, theoretical, and literary ideas through the creative collaborations with her partner Sande Zeig and a new generation of international academics and writers who articulate the foundations of her conceptual revolution. Zeig interweaves excerpts of work they developed over the years through archival film, photographs, personal notes, as well as theatrical readings. We move with them from France, to Greece, California, and Arizona. The three decades of public and private archival materials unveil Monique Wittig not only as a revolutionary writer, thinker, and activist but also as a multifaceted individual with a profound compassion for others, a deep love of nature, and an exceptional sense of humor. She leaves a legacy that continues to have an impact on our current ideas of gender and political thought.
At the height of her fame in 1954, actress Ava Gardner transplanted herself from Hollywood to the country of Spain. As she lovingly stated in her autobiography, “I don’t know if it was the climate, the men, or the music, but as soon as I set foot in Spain, I had a crush on this country.” In this documentary by Sergio Mondelo, the filmmaker explores the motivations behind this move and contrasts Gardner’s glitz and glam lifestyle with the hardships faced by the Spainish people under Franco’s rule.
When Susan Rennie retired from academia, she returned to her first love – photography. With humor and wit, Rennie’s photographic interventions offer a feminist critique of the conventional canon of art history, and an unabashed embrace of her elder, queer identity. The results are juicy, eye-opening, and often hilarious.
Convivencia
Ele Não
Apollo XI : L'Aventure en direct
The short film is based on events surrounding a 1977 mining accident in the Donbas region that ultimately led to the mine’s closure. In the film, locals, artists, and curators traverse the surface, paralleling one of the underground routes of the Novator mine. The procession ends at the monument to the dead miners, which is located just above the site of the underground accident that led to the death of the workers. Participants walk across the postindustrial landscape of Donbas, over the plowed fields, by bushes and courtyards, connecting the ground and the underground spaces through the choreography of their bodies.
Raymond Devos, un hommaginaire
Yeon Park orders a time machine on eBay for her father’s birthday, seeing it as an opportunity to discover a few truths about her family’s past. Yeon responds to her father’s private prints through another distribution of the sensible. Fun and intimate, I Bought a Time Machine uses technology like a mediation necessary for communication.
Eine Schauspielerin versucht zu weinen
Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.
The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.
The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.
A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers, and luxuriates in the language and the theater of their debates, begging the question, "What has television done to the way we discuss politics in our democracy today?"