Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
Documentary about the potentially dangerous and unpredictable drug LSD. Various experts discuss how LSD is made and the hazards involved in using it while avid users explain why they enjoy taking it.
Rescue plunges audiences into the hard, but inspiring work of saving lives in the face of a natural disaster. Behind the scenes, the film follows a Canadian naval commander, two pilots, and a volunteer rescue technician as they train for action. When an earthquake strikes Haiti, creating one of the biggest humanitarian disasters of the century, the audience is swept along, joining with the massive effort that brings military and civilian responders and hardware from around the world. Rescue is a journey of real-world disaster and emergency response captured (in 3D) with unprecedented scale and impact for the giant screen.
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed work car on a parallel track. At the time of filming, the subway was only seven months old, having opened on October 27, 1904. The ride begins at 14th Street (Union Square) following the route of today's east side IRT, and ends at the old Grand Central Station, built by Cornelius Vanderbuilt in 1869. The Grand Central Station in use today was not completed until 1913.
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began.
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
Several little boys run along a pier, then jump into the ocean.
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.
A young girl relates what happened during her first LSD trip, when – among other things – her food began talking to her.
After receiving an anonymous phone call, the cops pick up a young woman who is wandering around alone in the desert. She tells them that she was given a lift by a stranger, who abandoned her there. Or are there more sides to one story? Part of a series of scare movies called Under the Law, distributed by Disney in the 1970s.
Explains what war gas is, how it is used by the enemy, and how simple household items, such as bicarbonate of soda and bleaching solution, may be used to prevent casualties. (archive.org)
Twenty-two prominent American women discuss their activism for nuclear disarmament and their motivations in seeking the end of the arms race.
Fun and breathtaking action, the fascination of speed and pure zeitgeist - that's "Ski to the Max". Willy Bogner wanted to push the boundaries - and exceeded them. A stunt thriller like a mixture of James Bond and Ethan Hawke: Deep snow skiing in the Himalayas, extreme skiing in Alaska, slopestyle in Aspen and paragliding in the Engadine. The best skiers in the world set new standards for human possibilities.
Behind the scenes documentary shot during the making of Sofia Coppola's Lost In Translation (2003)
No Contract is a visceral video that combines elements of performance, sculptural cinema and documentary to explore themes of urgency, isolation and escape, as well as the notions of torment and renewal, desire and destruction.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.
Part 7 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.