This time High Performance Imports visits Ebisu Circuit for the draft matsuri, tours the Veilside factory and attends some drag meetings.
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
Megacities is a documentary about the slums of five different metropolitan cities.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
When a massive Chinese factory complex attempts a high-stakes expansion in rural Ethiopia, three women in search of prosperity have their faith in industrialization tested to the limit. Filmed over four years with singular access, Made in Ethiopia lifts the curtain on China’s historic but misunderstood impact on Africa, and explores contemporary Ethiopia at a moment of profound crisis. The film was awarded the Jury Special Mention at Tribeca Festival.
Making of: Pierce Fire Trucks
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
In a futuristic, antiseptic food factory, workers select healthy chicks, while the rejects are carried along a conveyor belt until they are crushed by a mallet and drop into a garbage bin. A single black chick appears among the yellow and is shoved toward the garbage bin. Before the mallet strikes, the gasping chick rebels.
An original portrayal of a small Czech village where – as the locals put it – an UFO has landed in the form of a kilometre-long silverish factory: a Korean Hyundai automobile plant. The village, hitherto famous mostly for its sauerkraut and the “Radegast” beer was thus turned into an industrial zone – the largest greenfield investment project in the Czech Republic’s history. Nonetheless, for a long time many farmers resisted selling the land upon which the factory was now standing. Eventually, they all succumbed under the pressure from the neighbours, and even the anonymous death threats. The filmmakers returned to Nošovice two years after the dramatic property buyouts, at the time when the factory has just started churning out cheap cars. Combining the perspectives of seven characters, they have composed a portrayal of a place suddenly changed beyond recognition that is playful and chilling at the same time: a politically engaged absurd flick about a field that yields cars.
Steve Glew, a small-town Michigan farmer, boards a plane for Eastern Europe soon after the fall of the Berlin Wall. His mission is to locate a secret factory that holds the key to the most desired and valuable pez dispensers. If he succeeds, he will pull his family out of poverty and finally find a purpose in his mundane life.
The story of the factory worker Pietro Perotti, who worked at Fiat Mirafiori from 1969 to 1985 and participated in the workers’ protests by overseeing communications inside the factory, making stickers, wall posters, texts and drawings in the bathrooms, figures out of papier-mâché and foam rubber, and turning the protest marches into “street theatre.” With his movie camera, Perotti immortalized the situations and workers’ protests at Mirafiori until 1974. Thanks to this unpublished material, the movie paints a fresco of factory life in what used to be Europe’s biggest metalworking factory.
Documentary about making cheese in the Netherlands.
An insider's look on the making of Penn's tennis balls, from their creation in a factory to the final stages of quality control.
Petites mains
From the West Midlands to West Africa: tour the Phillips bicycle plant in Smethwick and see the products in action overseas.
A documentary about the industrial, urbanistic and social aspects of the Società Anonima Lavorazione Pelli (S.A.L.P) factory located in Rivarolo Canavese, thirty kilometers north of Turin.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
A camera moving forward on an overhead crane gives a traveling view of men working on machinery. Carts carrying parts and pieces of machinery pass by on rails; cranes lift machinery; and men perform their various duties, including hammering objects. (Library of Congress)