Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
The art of votive offerings is fading, and with it, its creators, the retableros. We will witness the work of some of these last artisans, masters of a craft deeply rooted in tradition, religious and social identity in Mexico; they will tell us about their lives, their work, and their future.
A journey through a nature reserve in the GDR: the island of Hiddensee—with a special focus on the landscape, flora, and fauna.
In an essay and archival intervention, questions arise about the images of the 1968 national strike council.
Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.
The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.
Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.
Seven years since his last visit to Nigeria, a filmmaker meditates on the death of his father.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
At the age of 12, Janny, Lisa, Debby and Michelle leave their home for a sports school in the East German province to become wrestlers. A documentary about coming-of-age between boarding school corridors, wrestling gyms and boy band posters.
Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.
The daily life of an ill man is constantly interrupted by television advertisements. They promise some change to his life. He finds himself as a part of the adverts, but soon the empty promises become demonically possessive. The truth sets in.
An artistic and unconventional approach to winter sports, using striking visuals, sound design, and a focus on both the spectacle and the human element—including behind-the-scenes figures like ice maintenance workers—to create an intimate and aesthetically unique portrayal of the Olympics.
“One, Two, Three, Viva l’Algérie!” is the main theme of our film. But it is first a slogan, a link that acts in space and time: a few words scanded, inseparable from the history of Algerian football and therefore the relationship between France and Algeria. These encouragements born with the FLN team during the Revolutionary War and later repeated in the Algerian epic at the 2010 World Cup were taken out of the stadiums in 2019 to call for change.
At a similar pace to that at which German football coach Jürgen Klopp won over the whole of Germany with his charisma and conviction for the then still unknown style of full-throttle football, he is now conquering England's traditional heart of football with Liverpool FC. In parallel with the Reds' rise as a top European team, Klopp's authentic and emotional approach to the national footballing shrine of Anfield has won him all-round respect and enormous popularity on the Mersey and among Liverpool's nationwide fanbase.
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