Skiing Scenes With Franz Klammer

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

The underdog story of a fencer from Brooklyn who overcomes a gauntlet of hardships on the road to the Olympics.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Just weeks after losing to the New York Yankees in the 2003 ALCS, the Boston Red Sox made it their mission to get the bat they needed to put them over the top. That bat belonged to reigning AL MVP Alex Rodriguez of the Texas Rangers. Deals were offered. Plans were made. Everything was done. Rodriguez was headed to Fenway Park. Until he wasn’t. This is the story of the 36 hours when the best player in the league went from savior of the Red Sox to latest weapon of the Yankees.

A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

The captivating story of Chad George, this documentary chronicles the climactic final bout of George's fifteen-year tenure as a celebrated mixed martial arts fighter. As we intimately explore his transformative transition into a mentor and coach for up-and-coming champions, we witness his unwavering determination and resilience in the face of adversity. The film is a testament to the unyielding human spirit and the pursuit of greatness.

Revolver, the 2010 film from Poor Boyz Productions, presented by Salomon focuses on the progression and the factors that have coincided with many great advancements of the sport of skiing. (Over the last decade skiing has exploded into what we know it is today. But skiing has had many trying moments long before the end of the 20th century.) This season Poor Boyz Productions plans to showcase today’s raw talents of skiing in a high action, retrospective, yet progressive look at what things are pushing the sport today.

Pat Patterson and those who knew him best look back at his unlikely path to the top of sports-entertainment. From growing up a poor kid in Montreal, to finding fame in San Francisco and New York City and working side-by-side with Vince McMahon, Pat became the celebrated creative force behind some of the greatest moments and matches in WWE history.

A look inside Julian Edelman's journey from major injury to Super Bowl MVP in 2019.

Lemonade and Ducktape Stuffs is a film about quitting. Giving up on the everyday routine and having fun. It was time to say farewell to appeasing the masses and check out. It's not easy. Actually it's really hard. Thats what makes it right. This how we want to be remembered.

A short documentary about Arthur Penn.

Tulsa Tough is one of the hardest, fastest, most prestigious criterium races in the United States of America. This high-octane, action packed film follows the Miami Blazers, and hears from sprinter and fast rising talent Dante Young, as they go toe-to-toe with the likes of L39ION OF LOS ANGELES on the downtown streets of Tulsa. It’s NASCAR meets bike racing as we see the best criterium racers in the world battle for supremacy.

A behind the scenes look at the sport of rugby with the 2015 Rugby World Cup as a backdrop, featuring interviews from players, coaches, referees and fans.

A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".

A portrait of Łódź, Poland that exists in a time-warp of sad memory.

The British Royal Airforce's Red Arrows show off their skills.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.