Curro Romero, Maestro del Tiempo

After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.

Before orchestrating the greatest bullfighting seasons as an impresario, Simon Casas was a bullfighter—and thus began his journey.

Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.

Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.

Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.

La fiesta sigue

Claustrophobic portrait of a docile rural wife's daily routine.

This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner. Turner walks us through Loy's career as a dancer and an actress miscast as an exotic. She comes into her own as a grown-up women: shrewd, funny, decorous, and sexy - in "Manhattan Melodrama" and "The Thin Man." Her volunteer work during World War II, later stage work, and progressive politics come in for admiration as well. It's her style - seen best in her roles as a wife of charm and independence - that's captured and celebrated here.

It follows a group of daredevils as they pull off fantastical stunts while touring the fjords of Norway in a big red bus.

The creative documentary Piano Player is a story about the piano player and musician Oscar Strock, who was a well known tango music composer in 1920s Europe. Nobody knew him – only his music was well known. The life of Strock is like a side-show of everlasting debts, long voyages and wild and unlucky love affairs that find their best interpretation through his tango music. The piano player is a man, who barely arranges his life according to the political and economic circumstances in the world. To earn money, he plays for pubs and cinema theatres in Riga, Berlin and Paris, and for lovers, he writes the most romantic tango music.

This historic film, completed in 1995 by filmmaking duo Tareque Masud and Catherine Masud tells the true story of a troupe of singers traveling through the refugee camps and zones of war during the Bangladesh Liberation War in 1971. The film blends documentary and fictional genres in a musical structure to tell the story of the birth of a nation and the ideals of secularism and tolerance on which it was founded. The filmmakers combined footage of the cultural troupe and their activities, shot by American filmmaker Lear Levin in 1971, with historic footage collected from archives around the world, to create “Muktir Gaan” (Song of Freedom).

Adolf Hitler the fighting man is the subject of this engrossing feature, chronicling the future dictator’s combat experience as a foot soldier in World War I. Excerpts from Hitler’s letters from the front, recollections of regimental comrades, and evaluations by his officers offer a revealing portrait of a brooding, fearless loner who preferred battlefields to brothels, frontline service to home leave, and kept the men he frequently risked his life to protect at arm’s length. In a world of death, hardship, and discipline, Hitler sought comfort in the companionship of his English terrier, and in sketches and watercolors he rendered during lulls. It speculates on the influence wartime service exercised on his personal and political development, filling a critical gap for any sincere appraisal of Hitler’s psyche, motives, and subsequent actions.

The film explores the turbulent lives of homeless persons in Cologne, Germany. Through their personal belongings the homeless share with the viewer their memories and emotions, and provide insight into the secrets of survival on the street.

Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful ancient tradition. Together they embark on an adventure through Arctic communities, speaking with elders and recording the stories of a once popularized female artform. Central to the film is Arnaquq-Baril’s personal debate over whether or not to get tattood herself. With candour and humour, she welcomes us into her world, to experience firsthand the complex emotions that accompany her struggle. Past meets present in this intimate account of one woman’s journey towards self-empowerment and cultural understanding.

This is a touching documentary film about some elderly people who suffer from dementia, and their families.

From a small garage in Redmond, Washington, to the furthest corners of the earth, Funko's story is one that is centered around the fans and the global community that arose from their unique passion - a story that spans twenty years full of joy, ambition, adversity, and... well... toys.

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.

A short documentary about the making of Stanley Kubrick's 2001: A Space Odyssey and its impact on the '60s view of the future.

Intervalometer Experiments