After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.
Before orchestrating the greatest bullfighting seasons as an impresario, Simon Casas was a bullfighter—and thus began his journey.
Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.
Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.
La fiesta sigue
Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.
Poet, musician, visual artist, and Afrofuturist Moor Mother roams a hallucinatory Mojave Desert alone. Meanwhile, in Los Angeles, Moor Mother visits the Pan Afrikan Peoples Arkestra HQ and plays with jazz luminaries and elders, including Henry “The Skipper” Franklin, Michael Session, and Maia.
La música está servida: Sofía Carson
This one-hour special chronicles the twists and turns of the tragic road trip through the lens of Gabby’s social media presence. Told by both the people who knew her best and a community of online strangers and cyber-sleuths who ended up banding together to ultimately solve this shocking homicide. Two timelines were unfolding in the Gabby Petito story–a private one and a very public one. Viewers will get an inside look at both sides of Gabby’s life and the chasm that existed between the two.
Vive la diference! Whether you love the classic California blonde, are drawn to dark and smoldering, or warm to red and fiery, you won’t be able to resist this collection of the hottest blondes, brunettes and red heads on the planet
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
A short documentary about The Leopard.
'A colour sound film funded by the Koornong School in Warrandyte, Victoria. Produced to promote awareness of the school’s activities, in particular its cooperative approach to school management, the film illustrates the traditional left ideal of collective action and again deploys the rural ideal which provides a response to the problems depicted in A Place to Live and These are Our Children. Scenes include the collective building of the school, a meeting of the school’s ‘bully committee’ to discuss students’ problems, and various activities where the emphasis is on groups of people working together. The school is located in what was a rural landscape outside Melbourne and the film shows exercise, learning and craft work in this locale as particularly wholesome activities.' (Deane Williams)
This making-of piece is composed of seven segments: "Making The Second Renaissance Parts 1 and 2" (9:45), "Making The Program" (6:13), "Making World Record" (7:25), "Making Kid's Story And Detective Story" (9:42), "Making Beyond" (8:48), "Making Matriculated" (6:46) and "Making Final Flight Of Osiris" (6:39). Each of the features cover something a bit different, as some of the features are a pure "making of" type feature, while others might also delve into certain influences and things of that sort. Everyone involved speaks of their approach to their specific feature (or features) and they also talk about how they were approached by the Wachowski's about the Animatrix project and in certain instances, we learn about the director, as well as their work before signing on to this particular project. We get to see footage from the short itself, as well as interview footage with the principals and footage from behind-the-scenes.
Snow blankets the trees and green lights dance in a star-filled sky. For a brief time during the festive season, our thoughts turn to a winter wonderland, far to the north. It’s a place best known to outsiders as Lapland, the magical home of Santa Claus. But far from the festive lights, Santa’s home is even more enchanting than you may realise.