Simon Casas, un vent de liberté

Curro Romero, Maestro del Tiempo

A committed vegan, David, follows 73-year-old colonial relic Guy Wallace to South Africa as he fulfills a lifelong ambition to bag a Cape buffalo. It’s Guy’s last chance to relive his glory days and finally lay down his guns. The oddball relationship between David and Guy is the central drive of the film as the director explores the ethics of big game hunting and questions his own animal rights stance when lured in by the thrill of the hunt. THE END OF THE GAME is a compelling character study of a bizarre eccentric undertaking his last big game hunt in Africa.

Auguste Rodin's sculptures and Anna Halprin's creative process come together in this poetic film of dances in nature.

MY WONDERFUL WEST BERLIN recounts the lives and struggles of gay men in West-Berlin. Through present-day scenes and never before seen archival footage, a fascinating picture emerges of a city, that today characterizes itself as a dream destination and place of refuge for gays.

Wendy Padbury first appeared in Doctor Who in the late sixties, playing the diminutive cat-suited computer expert Zoe Herriot. Now she reveals all about playing Zoe and working with Patrick Troughton and Frazer Hines… not to mention Cybermen, Ice Warriors and Quarks! Wendy also talks about the 1974 West End stage play Doctor Who and the Daleks in the Seven Keys to Doomsday in which she played one of the Doctor’s companions. Featuring location footage from the stage production of Superted and a guest appearance by Jon Pertwee as Spotty himself, this Myth Makers even tells us which Cybermen design Wendy prefers!

This Myth Makers combines two interviews with Sarah Sutton; one filmed at Harrison’s Rocks, the main location for Castrovalva; the second recorded in a London studio eight years later and featuring some familiar monsters. Sarah chats to Nicholas Briggs about working with Tom Baker, Peter Davison, Janet Fielding and Matthew Waterhouse. There are also many behind-the-scenes stories about working on Doctor Who.

Deborah Watling portrayed Victoria Waterfield during Patrick Troughton’s tenure as The Doctor. Famous for the practical jokes that went on behind the cameras, this era produced some classic Doctor Who stories and Victoria became one of the most popular of the Doctor’s companions. This Myth Makers features material shot at Monstercon in Liverpool in 1985, together with an interview recorded on location during the shooting of Downtime, the Doctor Who spin-off drama, in which Deborah re-created the part of Victoria after more than twenty five years! Deborah and her late father, Jack Watling (Professor Travers) chat to Nicholas Briggs about working together again and we feature unique behind-the-scenes material from Downtime. And, of course, there’s the odd Yeti around!

Victor Pemberton’s association with Doctor Who is long and varied. As extra, writer, script editor, producer and novelist, he is in a unique position to comment on the programme’s successes and failures – and he’s prepared to do just that! Victor certainly wouldn’t claim credit for writing the dramatic links in this Myth Makers, where he encounters a strange bewildered Nicholas Briggs and the even stranger source of a ‘plopping’ noise. In fact, this is the culmination of the ultimate kitchen sink drama – just what is outside the window? This Myth Makers combines two interviews with Victor, the first shot on location at his country home in Essex and the latest at studios in London.

Doctor Who fans fondly remember the late Ian Marter as the charming, bumbling Harry Sullivan. The man behind the character was equally as likeable, but many times more sharp witted. As Nicholas Briggs and Ian walk and talk their way through locations for Terror of the Zygons, you’ll learn of Ian’s life as a prolific writer and actor. This is an extended version of the Myth Makers recorded in 1986, with a special introduction by Ian’s close friend Nicholas Courtney.

In 1987, when Nicholas Briggs first interviewed John Levene, it was a hot summer’s day in Richmond Park. John had begun a career in audio-visual presentation and was looking forward to a new chapter in his life. Eight years later John had moved to the USA and was living with his partner Jenny. He was now hosting gala charity events and looking to continue his acting career. During all this time there have been two constants in his life, Doctor Who and his irrepressible sense of humour. Nick managed to catch John on one of his rare visits to the UK and they take up the story so far including Wartime and Return to Devil’s End.

Peter Grimwade started his career at the BBC as a production assistant during the early 1970s and worked on three of Jon Pertwee’s Doctor Who stories. He went on to direct Doctor Who in the early 1980’s with Logopolis and Earthshock winning major fan awards. He then moved on successfully to script-writing with Mawdryn Undead and Planet of Fire which he successfully turned into novels for Virgin Publishing. Peter died in 1990, cutting short his life and a promising career. This Myth Makers release is dedicated to him.

A series of interviews about the film Peeping Tom (1960). It includes a rare interview with Karlheinz Böhm talking about his role and its subsequent effect on him.

Jon Pertwee was quite simply a star. From vaudeville, through theatre, radio in The Navy Lark, films, records and television, including Doctor Who and Worzel Gummidge, he entertained audiences worldwide for over fifty years. Recorded at Jon’s home in 1989, this interview by Nicholas Briggs provides the most comprehensive visual biography of this talented and versatile entertainer ever recorded. This is not a tribute… it’s a personal testament.

Since childhood, director Zara Meerza has been fascinated by the Olsen Twins and the near-mystical place that they occupy in pop culture. In this short film, through an excavation of clips of Mary-Kate & Ashley’s films, interviews with the women who grew up with them, and interviews with pairs of twins, Zara explores history’s fascination with twins and the unique way Mary-Kate and Ashley indelibly wove their way into culture.

The Only explores the highest triumphs and darkest defeats throughout the extraordinary life of U.S. Soccer Hall of Fame goalkeeper Briana Scurry. The documentary explores the inspirational glory and deeply dark corners of a Hall of Fame goalkeeper who stood alone on the field as the only Black starter and the only openly gay player. While celebrating the historic legacy of Scurry's career, including two Olympic gold medals and a penalty save to help the U.S. win the 1999 Women's World Cup, the film also tells the story of how she overcame racism and homophobia at the time of her greatest triumphs before later finding herself on the edge of suicide following a career-ending concussion.

In the heart of the Peruvian Amazon, Saor, a young androgynous Indian, carries a coffin. He is taking Valentina, his lover, back to her native village to bury her. When Valentina left this village years ago, before becoming a transgender singer in a faraway city, people here knew her as Pol. Valentina's past and death remain an enigma. Yet bit by bit, through his encounters with the people of the village, Saor begins to perceive what connected them to Pol. Sensitive to the world around him, Saor, like a Shaman, enters their memories. Saor starts to understand that, like all homosexuals persecuted by Shining Path terrorists, Pol lived in terror. In the village cemetery, between rage and bitterness, Saor attends the burial of Valentina's body. A ceremony that is both a burial and an exhumation.

Ricardo and Painting is Barbet Schroeder's portrait of his friend the painter Ricardo Cavallo, who devoted his life to painting. From Buenos Aires to Finistère, via Paris and Peru, this film is an invitation to dive into the history of painting, but also to discover the life of this exceptional man who, with simplicity and humility, always fully committed, to the point of transmitting his passion to the children of his village.

From Nashville newcomer to international icon, singer Shania Twain transcends genres across borders amid triumphs and setbacks in this documentary.

1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.

Earth's environmental crisis--brought about by uncontrolled technological progress--is endangering life on a global scale. At the core of the threats to the planet - wars, overpopulation, pollution, and the depletion of natural resources - is the inadequacy of the nation state to come to terms with the surmounting problems of twentieth century living. What is urgently needed is the kind of international cooperation where nation states relinquish part of their sovereignty to a world body entrusted with the management of mankind's future.