Daredevil Commandos

Master Wong and his disciples enroll in the 'Dancing Lion Competition' to stop an assassination plot and to battle an arrogant, deceitful opponent.

A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.

At the beginning of the 20th century an American woman is abducted in Morocco by Berbers, and the attempts to free her range from diplomatic pressure to military intervention.

Mary Ingles is pregnant when she and her two sons are captured from their homestead in Virginia's Blue Ridge Mountains by Shawnee Indians. Her husband, Will, narrowly escapes death during the attack. Impressed by her grace under the pressure of captivity, Wildcat, the Shawnee chief, confers special privileges on Mary and her children, eventually proposing that Mary become his mate. Surprised by her attraction to the handsome brave, Mary nonetheless opts to remain faithful to Will and engineers a plan for her escape. Separated from her children, Mary joins another female settler, and together they embark on a harrowing homeward trek. Her odyssey comes full circle more than a decade later when she is finally reunited with her long-lost children.

A re-telling of Artemio Ricarte, a Filipino patriot who fought against the Spanish and later Americans. He was later supported by the Japanese during WWII. Nickname was "El Vibora" (the Viper).

Ybyra Aú: Spirit of The Forest

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

An epic war film about the battle of the Italian and Libyan armies.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.

Le Baron et l'Empereur : Japon, la voie de la guerre

After his family was brutally murdered by French settlers on his wedding day, an Algerian man joins the French army and is sent to Vietnam to fight in the First Indochina War.

Ils étaient tirailleurs, voix oubliées de la Grande Guerre

‘Sharp Objects’ follows the forgotten story of the Klungkung keris back to its origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaposes the 'knowledge' of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost. The artists apply a tangible intervention on the photochemical material they use for the film. This time consuming approach embodies the narrative of the labor intensive iron forging craftmanship of a keris blacksmith.

Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.

When a northeastern brazilian worker, Filismino, is forced to move to the big southeastern metropolis of São Paulo, the northeastern grim reaper is forced to go there and kill him.

Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.