After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Sur la terre comme au ciel
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.
Amidst the chilly white winter, bright-eyed Alma, wanders through Barcelona’s cobblestone streets. Suddenly, she spots an unassuming toy shop. Her gaze is drawn to a nearly identical figure staring back at her from the storefront window. As if by magic, the shop’s door swings open. But to her bewilderment, her elusive twin is nowhere to be found.
On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.
A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.
Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005
Theo and Jacob were just after a good night of Drugs, Alcohol and perhaps some lovin. They ended up with much more than they anticipated. This short film was actually filmed in 2005 but has just got a release though imdb and youtube.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
The O'Dell farm is on the rocks. A non-traditional accountant comes with a variety of ways to save the farm.
Jesus is asked to judge an inheritance dispute, but instead He uses this conflict to affirm the eternal ideals of His Beatitudes taught in the Sermon on the Mount. Jesus teaches the wronged brother to forgive and love his brother. All who follow Jesus must learn that what we own has little to do with who we are. Important ideals of stewardship and preparedness are emphasized through the parable of the House Built on Rock.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Guillaume is getting ready to meet his wife in the maternity ward where she has just given birth. But an unexpected phone call plunges him back into bitter childhood memories: his father, whom he has not seen for years, wants nothing more than to see his daughter-in-law and the newborn child.
Fisnik is about to embark on a absurd journey in creating a fake weeding video, to get the German visa. He has to succeed in convincing his family, friends, and his ex to join him in this crazy journey.
Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.
The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.
The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.
A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.