Sprechende Hände. Das Taubstummblinden-Heim in Nowawes bei Potsdam

Moi et mon chien

Faced with a traumatic injury that renders you permanently disabled; how would you reinvent yourself? Full Circle tells the story of Trevor Kennison and Barry Corbet’s shared resiliency and refusal to let their passion for life be limited by Spinal Cord Injury. It is an unblinking examination of the challenges of Spinal Cord Injury, and a celebration of the growth that such tragedy can catalyze.

As Daniel Radcliffe's stunt double in the Harry Potter films, David Holmes' work has been seen worldwide by millions of people. Tragically an on-set accident ended what David calls "the best job in the world," leaving him paralyzed. Like the on-screen character he helped bring to life, David is determined to continue seeking adventure and living life to the fullest despite mounting obstacles.

Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.

Halali und Halleluja

No Hay Espacio Para Todos

Meet Matt Edwards, a lower-limb amputee boxer determined to break barriers and obtain his amateur boxing license—the crucial first step toward his dream of becoming a professional fighter. But the real fight isn’t just in the ring; it’s against a system that continues to put up obstacles, reflecting the everyday struggles disabled people face simply to be included in society.

A deafblind Danish woman travels to Nepal to meet a woman with the same condition in the hopes of communicating and engaging in a cultural exchange. A Woman Like Me is a remarkable demonstration of the delicacy and complexity of human communication, and how susceptible it is to privilege, preconceptions and misunderstandings.

‘Voices from the Shadows’ shows the brave and sometimes heartrending stories of five ME patients and their carers, along with input from Dr Nigel Speight, Prof Leonard Jason and Prof Malcolm Hooper. These were filmed and edited between 2009 and 2011, by the brother and mother of an ME patient in the UK. It shows the devastating consequences that occur when patients are disbelieved and the illness is misunderstood. Severe and lasting relapse occurs when patients are given inappropriate psychological or behavioural management: management that ignores the severe amplification of symptoms that can be caused by increased physical or mental activity or exposure to stimuli, and by further infections. A belief in behavioural and psychological causes, particularly when ME becomes very severe and chronic, following mismanagement, is still taught to medical students and healthcare professionals in the UK. As a consequence, situations similar to those shown in the film continue to occur.

While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.

William Henry Johnson, better known as Zip the Pinhead, performs.

"Diffability Hollywood is a documentary about Hollywood's portrayal of people with disabilities in films throughout history. One of filmmaker Adrian Esposito's main goals in making this film is to have people with disabilities portrayed in a less stereotypical way and to advocate for more inclusion of writers, directors and actors with disabilities into the movie industry.

Come What May documents the extraordinary life of Mary, a parent carer, and the challenges she has overcome to support herself and her family.

This Is Not About Me tells the story of Jordyn Zimmerman. Jordyn dreamt of becoming a teacher. She started out eager to learn at school, but she was soon separated from the other children. Unable to communicate, teachers thought she was also unable to understand or learn. Year after year, her behavior worsened. She was restrained and placed in seclusion. Jordyn found herself caught in a system that unintentionally turned her life into a living nightmare. Finally, at the age of 18, with the help of educators who see her differently, she manages to turn her fate and flourish.

Elite athletes and insiders reflect on the Paralympic Games and examine how they impact a global understanding of disability, diversity and excellence.

Researcher Hannelore Witkovsky searches for the notorious Nazi war criminal Dr. Joseph Mengele's lost film about his experiments on a family of little people in Auschwitz including Holocaust survivor Perla Ubitsch, whom she befriends.

An investigation into the way media portrayals impact the actual inclusion of people with disabilities in society.

I'll Find a Way is a 1977 short documentary directed by Beverly Shaffer. It is about nine-year-old Nadia DeFranco who has spina bifida. The film won an Oscar for Best Live Action Short Film.

One hot summer, Eun-hye, a jobless who’s just knitting at home, becomes popular at ‘Munho River Market’ as an artist who draws ‘not pretty face’ pictures. When customers ask her to draw them to look pretty, she replies “But you’re already pretty”. Eun-hye takes great care for a long time to express each people’s personality and says that everyone is born pretty from the beginning. And now the number of happy faces has already reached 2,000.

Hearing Films is a portrait of Joe Sidarose, a blind film lover who experiences cinema through sound, rhythm, and feeling. His world of film is shaped by voices, music, and the spaces between them, where stories come to life in ways beyond sight.