Domingo no Paint

In a 'first person view' and 'screenlife' narrative, this experimental feature film follows a young man who embarks on a violent spree to protect a vlogger who uncannily resembles his deceased mother.

A housewife (Perri Cummings) who becomes infected with the vitriolic words of a bigoted talk radio host, in this commentary on the culture of fear and distrust spread by the media post-9/11. Created for Drafthouse Films’ THE ABCS OF DEATH ‘26th Director’ competition.

"I came across an old industrial film by Siemens on computer and their language. To better appreciate the film I first of all cut off the sound, I then took out the colours and reduced the speed. Slowly the very substance of the film emerged and I began to see the deep meditation that was hidden in the film. Finally I made a black and white copy of the material and let the images pulsate in a general breathing rhythm." —Jürgen Reble

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

Within the depths of an enigmatic origin, a being flourishes, cocconed in a cocoon akin to that of a caterpillar. This creature, an apparent hybrid, shatters its confinements breaking free and rises in a peculiar, but captivating manner.

Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.

Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.

Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.

Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.

The never-before-told story of the Brotherhood of Eternal Love – a spiritual group of surfers and hippies in Southern California that became the largest suppliers of psychedelic drugs in the world during the 1960s and early 1970s. Bonded by their dreams to fight social injustice and spread peace, this unlikely band of free-spirited idealists quickly transformed into a drug-smuggling empire and at the same time inadvertently invented the modern illegal drug trade. At the head of the Brotherhood, and the heart of this story, is the anti-capitalistic husband and wife team, who made it their mission to change the world through LSD.

Now I shall sing the second kingdom there where the soul of man is cleansed, made worthy to ascend to Heaven. (Purgatorio: Canto I)

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occuring.

An experimental film about the relation of Time and Space.

Formally eclectic, the first few seconds of the film seem to introduce us to a typical sensory documentary, but soon the flow of the narrative evolves into a much more complex portrait of the port of Paita, by concatenating recordings made by the author himself, videos generated by an AI, Google Maps views and archival images.

With this abstract digital video, Murata presents viewers with a field of seething colors and line, within which a suggestive, Rorschach-like formation manages to retain its structure even as it is in a constant state of flux. The mesmerizing tableau that results is accompanied by a cyclical, dronelike sound track.

"#5 from a series of 7... A dance leading to a dance. Super 8, silent, non-narritive."

Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.

Dynamite, tête de poisson!

The encounter of a wound, a body and a city results in the alteration of the whole.

How did the rise of LGBTQ visibility, political progress, and digital technologies in the 2000s come together to offer the abundance of complex queer and transgender representations we see today? Media scholar Katherine Sender shows how LGBTQ visibility and political progress have combined with new digital media technologies and television platforms to produce an increasingly complex range of queer and transgender representations.