Tartuffe ou l'imposteur par Benoit Lambert

Tartuffe ou l'Imposteur

In this adaptation of the play by Molière, Monsieur Jourdain, social climber, nouveau rich but naive, dreams of being recognized in high society. He hires masters of music, dance, philosophy. He has gone mad with thoughts of honors, decorations, and power.

Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.

Les Précieuses Ridicules

Dom Juan

Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.

Les Femmes savantes

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

While vacationing at a beachside resort, a single mother faces inevitable separation anxiety when her 15-year-old son — who is also her best friend — discovers magical chemistry with a girl his own age.

The Sound of Music engages with the deep-rooted sexual and class-based politics of a seemingly arbitrary and violent culture.

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

A mix between "Schoolgirl Report" and "Christiane F.".

Sinan is a second generation Turkish immigrant. He is young, restless and he likes the ladies. His parents have found him a bride, the beautiful Gül. They have also planned for him to take over his father's restaurant after the wedding. But Sinan has other fish to fry.

Director and co-writer Romano Vanderbes attempts to satirize middle America's standard news broadcasts with as many jokes about sex as possible. The featured station is KSEX and Doug Ballard and Lydia Mahan play the anchors in a broadcast where blue does not mean melancholy

Silvi is in her late forties. Her husband has just left her. Until this point, she was fairly content with her life, but now everything is in ruins. A friend advises her to make a fresh start. But how is that supposed to work? Especially if you see yourself as a team player and there’s no team in sight you would want to join. Driven by a sense of longing, helplessness and curiosity, Silvi tries to make new friends and, in her own, touchingly earnest but also naïve and charmingly uninhibited way, starts to take control of her life. Anonymous sex, cosy romanticism and bondage games catapult her from one emotional disaster to the next. But, thankfully, Silvi is indestructible.

Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.

Some teenagers are ambitiously setting up a famous Jon Fosse-play. They hire a well known actor to be their mentor, unaware that he's going through a life crisis. Their new mentor chooses Vegard, promising footballer and local douchebag, to play the leading role.

Five short comic sketches, all unrelated to each other, except that they are all expressions of Italian sexual humor.

The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love.