Yotsuya Kaidan (Jitsoroku Oiwa)

Kalle Utter is theologian student at Uppsala University sometime during the latter half of the 19th century.

A beautiful young girl has been raised by her bitter mother to hate all men, but her beauty means that men are constantly after her. She rejects them all, leading some to believe that she may be a lesbian. To stop those rumors, she begins a platonic relationship with a young writer, but things don't work out exactly as planned.

A working knowledge of Morse code and the foresight to pick a train driver for a sweetheart come in handy in this ‘race to the rescue’ thriller. When the wealthy Mr Harvey has to go away on a train journey, a couple of sharp-eyed crooks take the opportunity to burgle his home. Only the live-in maid stands between them and Harvey’s safe. Can our plucky heroine save the day?

The film is about the class struggle in the village between the various strata of society on the eve of Soviet powerformation.

Features a screenplay written by the original novelist Hall Caine.

The narrative hinges on Jason's vow to wreak vengeance on his father for abandoning his mother. But his father dies, and Jason turns his desire for revenge against Sunlocks, his father's son of another wife. Both Sunlocks and Jason are in love with Greeba, daughter of the governor of the Isle of Man. Sunlocks and Jason go to Iceland, and are confined in prison. Jason not knowing Sunlocks, saves his half-brother from death in the mines. Jason is freed, but Sunlocks is condemned to death. Greeba pleads for Sunlocks' life, and Jason sacrifices himself by taking Sunlocks' place and dying for him. -- Wikipedia

After the comedy of the same name of Mirza Fatali Akhundov.

The First Komsomol Oil Well

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

Robin Hood and his followers aid the poor and oppressed from their hideout in Sherwood Forest, pursued by the Sheriff of Nottingham.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

The film is based upon the 1922 Edith Wharton novel The Glimpses of the Moon.

A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.

The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.

In a futuristic city, the residents have lost their voices to both the omnipotent Mr. TV and the nameless corporation that runs the metropolis.