Yotsuya Kaidan (Jitsoroku Oiwa)

In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Die Puppe vom Lunapark

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

World's first 3-D feature film. The film is considered lost.

Hanbei (Arata Furuta), the boss of the labor agency Fujitsuboya is known to the underworld as the leader of the 'Last Rite Givers' (Indouya), an organization that deals with disposing of criminals for the sake of the people and society. However, in reality, he is merely a timid and mild-mannered man, too gentle to even harm a fly, whose fearsome appearance is what earned him his position. In both his public and secret life, the true leader is his wife, Oise. One day, a wandering assassin known as the 'mad dog', Yoiyami Ginji (Taichi Saotome), appears—someone who will kill anyone, regardless of who they are, as long as the price is right. Under the orders of the 'Black Blade' gang, who aim to destroy the 'Last Rite Givers' and monopolize the underground business, Ginji awaits to ambush and kill Hanbei. However, at that moment, as if by the curse of the 'Tengosei' star, a violent lightning strike causing the bodies of Hanbei and Ginji to switch.

A shell-shocked black soldier is cared for by a miner and his daughter when he wanders into their camp, and makes a fresh start in life with the aid of the American Legion.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Roy Conover has just returned to his village home from college.

Mrs. Grant, a widow, has one son, Donald. He is not really a bad fellow, but is full of devilment and always getting himself into mischief. One day, he visits the village inn and follows this up by pinning a caricature of Elder McWirther on that gentleman's gate. It is decided by the deacons to expel him from the church.

Virginia Jameson, a girl of lovely disposition, is wooed by a man much older than herself whom she very much dislikes, but who stands very high in the favor of her parents. She might have married another man had not fate decreed otherwise. She meets and accidentally escapes the man she could have loved and would have married; she stooped to tie her shoe-strings, diverting her attention from him. Had their eyes met, both their lives would have been different. Leroy Farley, the man favored by her parents, prevails and she marries him. Her life is unhappy, notwithstanding his great riches and social prominence.

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

A divorced woman takes matters into her own hands and destroys her late ex-husband's will, to ensure that their daughter receives her rightful inheritance. Will her efforts be for naught? Based on "Lille Rødhætte" by Henrik Pontoppidan.

Robert Moore is the general manager of the firm run by John Gibson. After Gibson makes several visits to Moore's home, unfounded rumors begin of a relationship between Gibson and Moore's wife, Martha. Moore is discovered with a revolver in his hand, standing over Gibson's dead body. In fact, Moore’s best friend committed the murder, but Moore is convicted of second-degree murder and sentenced to 20 years in prison. Impulsively Martha remarries to a man who proves to be a brute. When Moore is set free after the real murderer confesses, he visits his former wife just as her husband attacks her. In a struggle, Moore shoots him in self-defense and is then reunited with his family.

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Elsie gets a letter from her soldier boyfriend that convinces her to sign up as a Red Cross nurse.