Experimental mash-up of circus and sideshow footage.
An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts
Two robots embark on a quest to become human.
A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.
Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
A short film collaboration between director Kristian Day and make up artist Patrick Boltinghouse. Patrick had created the make up for Pride Weekend 2010 in Des Moines, Iowa. After the parade, he called Kristian up explaining that he was in make up and had a bird on his shoulder. Kristian's only reply was "I'll get the camera ready". Filmed entire in his home, Kristian made two versions: a single play version and a "locked groove" version which played on a loop at the Resident Artists: Guns Blazin' show on July 9th, 2010 in Des Moines.
The „Haelgung“ films are charmingly impressionistic diary entries, crafted as mini homages to my closest friends, captured with a delightful lack of planning or structure and edited in camera.
A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.
Jo; or The Act of Riding a Bike is Zefier's third film.
Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
An adaptation of the Beckett play
Memories are fleeting. They penetrate our imagination, put us in a moment of trance and then disappear again. They will never return in the same way. In the search for them, we screw ourselves into ourselves.
An exploration of entering and leaving consciousness from the perspective of non-human bodies trapped in everlasting cycles of abuse.
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.