1993 In The Sunshine Forever

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

A short film by Bryce Hodgson.

The parents of an adult infant named "Child", played by Todd Haynes, attempt to expel him from their home, by casting magical spell seen in a television documentary about Malaysian rites of passage.

A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.

CANICULĂ

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

An experimental short from Oskar Fischinger

The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A fictionalised essay read by Ben Wishaw exploring the complicated relationship between British espionage and male homosexuality. An anonymous narrator talks through the various chapters of his life as a spy and a gay man in late 20th-century Britain. His vivid stories of intimacy and surveillance play out over shots of the luscious countryside, busy Central London streets, and nighttime cruising zones.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.

Deep in an ocean facility, Aryanna, must face the unknown, as drips from water-tight air vents and scratches from within empty cells drive her to the brink of madness.

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.