A Day In LC

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

In this rotoscope animation, Tom Waits sings about "The One That Got Away."

In the sharks' second adventure, a shark's refusal to return a glass of pesto leads to a terrorist crisis.

A band of friends try to jam out their song in the garage, hijinks ensue before they can do so.

Surreal environments take center stage in this visual odyssey.

A flashback to the early life of the narrator/ protagonist 'Tanuk' (Juvenile) shows life in the Magnolia projects in New Orleans. He bears witness to his father's demise at the hands of local gangster Garr over a debt of $2000. Fast forward to the year 2000. Beatrice (Birdman aka Baby or #1 stunna) along with Tanuk, Chopper (B.G) and Teke (Turk) meet with representatives of a drug cartel and purchase a large batch of cocaine. We then see scenes of everyday business in Magnolia with Iceberg Shorty (Lil Wayne) selling some drugs.

Ten Thirty is a song dedicated to David Robitaille's 18th birthday. Officially out of his childhood and in his adult life, as the music video's artwork shows with the colours fading into silverstone, but still having the same amount of creativity.

Fantasia

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

ASTRAKAN

A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.

A love, a journey, perhaps an obsession, the thin line between life and death constantly questioned by love, an immortal feeling, yet experienced by mortals. This animated and musical short film features young Orpheus, the quintessential archetype of the poet, embarking on a journey that will lead him into the depths of the underworld, in a desperate attempt to bring his deceased wife Eurydice back to life

A collage hosted by "The Pointless", a dying overlord.

Music by Byron Westbrook, 16mm film by Paul Clipson.

Made by film students, the short film is a tribute and authorial reinterpretation inspired by old Pink Floyd music videos as a psychedelic trip. Using overhead projectors to capture a liquid light show, the narrative is stitched together from a retro photograph, bringing a bit of 60s psychedelia with an air of nostalgia. With the combination of two of the band's songs ("Echoes" and "Astronomy Domine"), the music video brings the concept of the realism and ludic, of the present moment and insanity. Composed of characters who are part of a fictional band and travel through the delight of a mind that lives in the past while resting in reality.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

In a dimly lit room, two boys engage in an intense chess match. As tension rises and strategies unfold, the game becomes a battleground of wits and wills, leading to an unexpected climax that goes beyond the boundaries of the board.