Jonas Kaufmann – Mein Wien
Antonín Dvořák: Stabat Mater op.58
The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French - music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle.
A collection on DVD of her first hits with special features of duet with Josh Groban on "The Prayer", backstage with Charlotte Church, an interview, and a video tour of Cardiff.
Laerte, a talented violinist who after failing to be admitted into the OSESP Orchestra is forced to give music classes to teenagers in a public school at Heliopolis. His path is full of difficulties, but the transforming power of music and the friendship arising between the teacher and the students open the door into a new world.
After a successful South African tour in 2010, the Vrijthof concerts were all about Africa that year. André invited the South African soloists from the tour to take part in this summer’s Vrijthof concerts: the fantastic young soprano Kimmy Skota from Cape Town, the Bloemfontein Children’s Choir and the children from the Hout Bay Music Project provided a real South African atmosphere. This fabulous summer evening concert also featured the sopranos Mirusia Louwerse and Carmen Monarcha, the Platinum Tenors and the Berlin Comedian Harmonists. The evening has an upbeat end with a guest appearance from DJ Ötzi. This is a truly fantastic concert that you really can’t miss!
Carmen fantázia
J. K. Vaňhal: Koncert G dur pro housle a orchestr
Kamenný orchestr
Aladár Móži hrá husľové miniatúry
Der Jahrhundertring 1976 - Sternstunden der Musik
Debussy, Images pour orchestre
Leonard Bernstein conducts Stravinsky & Bach
The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.
Violinist Mischa Elman performs a set of two of the most recognizable popular classic violin pieces: "Humoresque" composed by Antonín Dvorák, and "Gavotte" by François-Joseph Gossec. He is accompanied off screen by pianist Josef Bonime, although Bonime's instrument can be seen in the background behind Elman on screen. In one continuous single shot, the stationary camera focuses in squarely on Elman as he performs the two pieces.
Hudební jaro
André Rieu - Live in Chile
When Bach was in the service of Prince Leopold in Coethen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belongs to these masterpieces for a small ensemble. This joyously infectious performance of these famous landmarks in the history of music by the Freiburg Baroque Orchestra demonstrates both the musical satisfaction and the high professional standard that can be reached with period instruments. The performance was given in the Bach Anniversary Year 2000 – 250 years after his death – in the elegant Hall of Mirrors at Coethen Castle. The Freiburg Baroque Orchestra’s members all have virtuoso skills. They take the spotlight gracefully for solos but also play with the true ensemble spirit required by the music. Their decision to perform without a conductor revives an eighteenth century practice.
Classical music doesn’t exactly have a reputation for being hip. For too long it’s been seen as a stuffy genre for the high cultured elite. WHAT WOULD BEETHOVEN DO? follows a number of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntablists and orchestras together. Notable artists such as, Bobby McFerrin, Benjamin Zander and Eric Whitacre add their voices to the debate about why classical music is still relevant today.