La Tragédie du Roi Christophe

Frantz Fanon, a French psychiatrist from Martinique, has just been appointed head of department at the psychiatric hospital in Blida, Algeria. His methods contrast with those of the other doctors in a context of colonization. A biopic in the heart of the Algerian war where a fight is waged in the name of Humanity.

Algeria, summer 1962, eight hundred thousand French people left their native land in a tragic exodus. But 200,000 of them decided to attempt the adventure of independent Algeria. Over the following decades, political developments would push many of these pieds-noirs into exile towards France. But some never left. Germaine, Adrien, Cécile, Guy, Jean-Paul, Marie-France, Denis and Félix, Algerians of European origin, are among them. Some have Algerian nationality, others do not. Some speak Arabic, others do not. They are the last witnesses to the little-known history of these Europeans who remained out of loyalty to an ideal, a taste for adventure and an unconditional love for a land where they were born, despite all the ups and downs that the free Algeria in full construction had to go through.

Emilie Busquant, a woman with an exceptional destiny, was born on March 3, 1901, in Neuves-Maisons, Lorraine. In 1923, she moved to Paris to find work and met Messali Hadj, who had also come seeking employment. A beautiful love story began; she fell in love with both a man and a cause: the independence of Algeria. Together, in 1926, they founded the first Algerian independence party, the North African Star (Étoile Nord-Africaine). She would support the Algerian people's struggle throughout her life.

Fate of a Salesman is an intimate portrait of a way of life on the verge of disappearing. In its 60th year of business, Men's Fashion Center in Washington, DC has come to represent identity, legacy and redemption for salesmen Willie and Steve and owner Jerry. But business has crawled to a halt in the face of a tough economy and changing neighborhood, pushing the store to the verge of closure. Set amidst racks of pin-striped suits and feathered hats- the clothing of a bygone era- the men struggle to redefine themselves as the place with which they have long identified begins to vanish.

This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.

The Movie "Hebrews to Negroes: Wake Up Black America" uncovers the true identity of the Children of Israel by proving the true ethnicity of Abraham, Ishmael, Isaac, Jacob, the Sons of Ham, Shem & Japheth. Find out what Islam, Judaism and Christianity has covered up for centuries in regards to the true biblical identity of the so-called "Negro" in this movie packed with tons of research.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Civil Rights Movement activist, TSSAA Hall of Fame Basketball Coach, swim coach, teacher, musical director, father, grandfather, and friend to many, Coach Sylvester Ford Sr. was known by many as “Big Time.” The nickname was given to him as a kid for his height, but “Big Time” showed time and time again why his nickname was about way more than his looks– it’s also because of how he showed up big for his community. Hometown Feature Audience Award winner at Indie Memphis 2024, Big Time chronicles the life of legendary Memphis basketball coach, Sylvester Ford Sr., while inspiring us all to live “big time” lives along the way.

For decades, the countries of the African Sahel region have been targets of colonialism and exploitation by France and other Western powers. This documentary addresses the popular resistance and new paths of development forged by Burkina Faso, Niger, and Mali after experiencing civil and military uprisings in recent years. The film explores the popular resistance that sustains the revolution in the three Sahel countries and was made after extensive coverage of the ongoing social dynamics and geopolitical disputes.

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

May 8, 1945, the day of victory over Nazism, is also a day of mourning. In Algiers, thanks to demonstrations for victory, the Algerian flag appears for the first time, thus claiming independence. But in Sétif, the standard bearer is shot dead at the head of the procession and a riot breaks out. The colonial massacre that followed would extend to all of Constantine. The commission of inquiry never delivered its conclusions and an amnesty law erased the traces of this savage repression. Fifty years later, the file is open.

Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.

Year 1936. As villages across Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe and some arriving with nefarious Zionist-colonial ambitions, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

On October 17, 1961, 30,000 Algerians demonstrated peacefully in Paris to protest the discriminatory curfew imposed upon them and to demand Algerian independence. Under the authority of the then Prefect of Police, Maurice Papon, the demonstration was brutally repressed, resulting in the deaths of dozens of Algerians. Historians cite eleven thousand arrests, dozens of murders, demonstrators thrown into the Seine, hundreds of expulsions, and just as many complaints that went unanswered; all for a night that would become a blind spot in the national narrative. No investigation, no trial, and certainly no commemoration. The day after the demonstration, Jacques Panijel began filming *October in Paris* to alert the public to the massacre that had just taken place in the streets of Paris. The film was banned by the French authorities. It obtained a distribution license in 1973. It was first shown in theaters in October 2011.

A childhood episode comes back to the memory of a man with no land

In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.

In the 1980s, a swine flu crossed the Haitian-Dominican border and started to affect the Creole pig, an important commodity in Haiti. The flu also threatened livestock in the United States. As a preemptive measure, the USAID in conjunction with the Haitian government proceeded to exterminate all Creole pigs from the island, leading to a crushing economic blow for an already impoverished country.