In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.
George Carlin brings his comedy back to New Jersey and this time talks about Offensive Language, Euphemisms, They're Only Words, Dogs, Things you never hear, see or wanna hear, Some people are stupid, Cancer, Feminists, Good Ideas, Rape, Life's moments, and organ donors.
During the Irish housing crisis, a documentary crew follows a greedy and corrupt Landlord who claims to have solved the housing problem for college students by creating "Boxtown", accommodation for students made out of cardboard boxes located in the car park beneath their college. But is this the paradise that the Landlord would have them believe?
What is the secret behind the success of "Rocky Horror"? Is it the music? The actors? The comedy? It's certainly not the Special Effects. "Rocky Horror" has been around for more than 40 years, and still continues to be successful in the movie theaters as well as on stage. This documentary is highlighting the history of "Rocky Horror", which started off as a two-page script written in crayons, and ended up with two movies, tons of merchandise, millions of fans and world touring shows, grossing more than $500 million in revenue.
Filmmaker Warwick Thornton investigates our relationship to the Southern Cross, in this fun and thought provoking ride through Australia's cultural and political landscape.
Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
An eight-hour contemplative epic, entirely starring sheep.
George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.
What are we talking about when we talk about negotiations? About the state's concessions to the Mafia in exchange for ending the massacres? About who assassinated Falcone and Borsellino? Of the eternal coexistence between the Mafia and politics? Between the mafia and the church? Between the Mafia and law enforcement? Or is there more? A group of actors enacts the most relevant episodes of the affair known as the Mafia-state negotiation, impersonating mobsters, secret service agents, high officials, magistrates, victims and murderers, Freemasons, honest and courageous people, and courageous people up to a point. Thus one of the most intricate events in our history becomes an exciting tale.
A notorious political satirist conceals his identity and poses as a political candidate.
A mockumentary focusing on an art school frat's attempt at recording a music video for their latest party anthem with unwanted dancers and an unruly director.
When nothing is sacred, everything is funny. More reality TV shows the networks wouldn't dare air from the warped minds at National Lampoon.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.
A documentary about Spitting Image (1984) and the impact it had, including clips of the most memorable moments and contributions from many of the cast, crew and some of celebrities portrayed on the show.
A selection of seemingly unconnected scenes featuring Nick Cave, Blixa Bargeld, Nina Hagen and Lene Lovich. Losely based on Voltaire's satire "Candide".
The causes of the crisis. The background of the crisis. The effects of the crisis. Irrational corruption. Social involution. Dysfunctional government. Apeocracy has arrived.
The Youth International Party, whose members were commonly called Yippies, was a radically youth-oriented and countercultural revolutionary group opposed to war and the status quo of American culture. Known for using theatrics and humor to advocate social change, several Yippies were notably on trial as the Chicago 7. Primarily consisting of footage from the 1968 Democratic National Convention in Chicago which sparked massive demonstrations that were met by violence and hysteria caused by the police. This film also includes found newsreel footage as well as Pigasus - the pig the Yippies advanced as a candidate for President of the United States.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.