Dudley Moore: After the Laughter

"In November of 2019, I was sent to Chicago to interview psych-rock band 'Post Animal' on their much-anticipated sophomore album 'Forward Motion Godyssey.' Rather unfamiliar with their persona, I wasn't sure what to expect... What I got was the most absurd experience of my professional life." - Sam Straley

Filmmaker Warwick Thornton investigates our relationship to the Southern Cross, in this fun and thought provoking ride through Australia's cultural and political landscape.

Neil Hamburger is a two-bit stand-up with a bad comb-over--an aging, phlegmy jokester with a penchant for cheap celebrity jabs. He's also the brilliantly odd creation of Gregg Turkington, a decidedly more gifted comedian who has found a loyal cult following for his Tony Clifton-esque character. In this concert release, Hamburger performs a handful of twangy country tunes alongside the Too-Good-For-Neil-Hamburger Band, a name that speaks the truth: the back-up group includes veteran rockers Prairie Prince, David Gleason, and Atom Ellis.

Nas Entranhas de Nicolópolis

Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.

Skatteøens hemmelighed

George Carlin brings his comedy back to New Jersey and this time talks about Offensive Language, Euphemisms, They're Only Words, Dogs, Things you never hear, see or wanna hear, Some people are stupid, Cancer, Feminists, Good Ideas, Rape, Life's moments, and organ donors.

George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.

In his excellent Someone Likes Yoghurt, Herrring shares with us his world of gonorrhoea-transmiting magpies, his attempts to become successor to Pope John Paul II, and his local supermarket's utterly humiliating new checkout service: the grocery interrogation.

A documentary about Spitting Image (1984) and the impact it had, including clips of the most memorable moments and contributions from many of the cast, crew and some of celebrities portrayed on the show.

A notorious political satirist conceals his identity and poses as a political candidate.

Exactly like an Hour of Slack X-Day radio show, except that you can see it. Shot mostly in DV by Rev. Ivan Stang, Dr. Philo Drummond, Rev. Steve Chekey & Princess Wei "R." Doe at Brushwood; edited mercilessly by Stang. Heavy use of identifying subtitles and nudity, with Rev. Susie the Floozy, Jesus and Magdalen, Rev. Nickie Deathchick, Sister Decadence, Rev. Carter LeBlanc, Rev. Ivan Stang, Rev. Alex, Rev. Pee Kitty, Dr. Philo Drummond, Dr. G. Gordon Gordon, Sifu and Legume's butts, Rabbi's chest, the Hell Bonfire, the Alien Ball, the horror of 7 a.m., Insane Clown Bat Pussy, teabagging, and Lonesome Cowboy Dave. THE AMINO ACIDS in concert plus musical tracks by Cozmodiar, Gary G'broagfran, The Great Groovy Neptune.

Reverend Billy, a.k.a. Bill Talen, is an actor/performance artist and a leading figure within the anti-globalization movement. His work combines the ideas of social and political change with the means of theater arts to counteract our media-laden culture. The film follows the Reverend's "shopping interventions/actions" into cultural dead zones such as Starbucks, Disney and the New York University construction site at Poe House.

A satirical look at the Soviet-block hairdressing contest which was held in Warsaw in 1971.

El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.

What are we talking about when we talk about negotiations? About the state's concessions to the Mafia in exchange for ending the massacres? About who assassinated Falcone and Borsellino? Of the eternal coexistence between the Mafia and politics? Between the mafia and the church? Between the Mafia and law enforcement? Or is there more? A group of actors enacts the most relevant episodes of the affair known as the Mafia-state negotiation, impersonating mobsters, secret service agents, high officials, magistrates, victims and murderers, Freemasons, honest and courageous people, and courageous people up to a point. Thus one of the most intricate events in our history becomes an exciting tale.

When nothing is sacred, everything is funny. More reality TV shows the networks wouldn't dare air from the warped minds at National Lampoon.

In 1990, Alan Levy, Editor in Chief of the Prague Post, proclaimed that Prague was the "Left Bank of the 90s," -- the new European haven for American artists. Levy's herald rang out like a clarion call, summoning expatriate North Americans from Nova Scotia to the Golden Gate.

Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.

Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.