Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife
Joseph and Brenda have done what many only dream of and retired to the South of France to live out the rest of their days as if they were permanently on holiday. But retirement is not what Joseph imagined, and when he meets a young, attractive woman, Suzanne, everything he thought he knew about himself and his world is turned upside down.
After discovering his wife's infidelities, Gerry leaves London to look after his deceased brother's business and family in Singapore. Discovering a foreign world of opportunity that had not existed before gives Gerry a chance at starting over by slipping into his brother's life - both emotionally and physically. However, leaving his wife and child behind in the UK is not so easy as Gerry must choose between becoming his brother's alter ego 'Mister John' or returning to London to face his failing relationship.
Three siblings ingeniously avoid being sent off to a children's home while their solo-mother serves a short sentence in a prison for shoplifting. Rather than have the news leak out and have to be escorted off with the eccentric welfare officer, they invent a 'never present' dad who is looking after them.
After the death of her mother, Anne makes a shocking discovery: an old photograph casts doubt on her origins and leads her to discover a mysterious uncle who lived with her parents after the war. As she lifts the lid on a long forgotten family secret, the young woman learns that her mother once succumbed to an amorous passion that was as intense as it was short-lived...
Biographical look at the bombastic love affair that writers Dashiell Hammett and Lillian Hellman shared in 1940 and 50's Hollywood. Refusing to marry, but deeply in love, the two engaged in many affairs and battled alcoholism.
A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.
2123. Faced with diminishing resources, the human race can only survive through a trade-off: at the age of 50, every citizen is gradually turned into a tree. When Stefan discovers that his beloved wife Nora has voluntarily signed up for donating her own body before her time, he sets out on an adventurous journey to save her at all costs.
A man becomes a bookie after losing his job as a day trader.
A lonely secretary leaves her family for love with a female basketball coach. But their awakening galvanizes the local conservative community, with the small-town drama permeating everywhere from the teacher’s lounge to the student body to the PTA, yet leads to unexpected love-conquers-all resolutions.
A woman falls in love with a married, Belgian man. She finds out that he's married too late... although it's the second thing he says. The rest of the film is about the struggle of the man between his two loves, and of the woman not able to finish the hopeless and dangerous relationship. The title "tot ziens" (au revoir, a farewell greeting that implicates that one will see eachother again), is the ironic description of the film, which is about going away for good and then coming back again, because something is always stronger than your ratio.
During the night shift in a colony greenhouse, a botanist does her best to contain suspicious soil samples that have alarmed her sensitive lab dog.
Shortly after the nuclear Chernobyl disaster in 1986, a father risks his life and returns to his deserted apartment to retrieve his front door.
The frustrated loves of Jean Cocteau and Raymond Radiguet at the beginning of the 1920s. The death of Radiguet that sank Cocteau into opium. A story under the influence of drugs. A narrative in the spirit of Cocteau. And all this in a musical.
Waikiki Brothers is a band going nowhere. After another depressing gig, the saxophonist quits, leaving the three remaining members to continue on the road. The band ends up at the lead singer's hometown, which was a popular hot spring resort in the '80s, but the return home is filled with reservations of previous and past disappointments, a lost love, unemployment and tragedy.
Behind the facade of a beautiful urban home, a combination of complacency and bad investments has left power couple Ben and Gail disconnected, resentful and just about broke. When the cash-strapped yuppies fire their teen-aged daughter's lesbian Mexican nanny, Margarita, they set off a chain of events that lead to her deportation.
Aksel is ten years old. He lives with his mother and elder sister on a housing estate in the suburbs. There's a week's holiday from school coming up and Aksel reluctantly must spend the day time at his local after-school club. A stray dog and a song contest organized by the club are the start of a friendship between Aksel and two girls, Annika and Fatima. But things go wrong and Fatima is grounded, leaving Aksel to take matters into his own hands in order to rescue the song contest, the dog, and the school holidays.
Diane is a mysterious and lonely teenager. Sharing special bonds with her father Christian, she takes care of the education of her brother Marc. The arrival of Julia in the neighborhood, a charismatic and liberated young British woman, is going to disturb Diane’s daily life. Desperately willing to become an adult, Diane is going to live, for a semester, the most shattering experiences of her life. The more she gets close to Julia, the more she gets irresponsible, ignoring consequences and limits to her desires.
Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.
The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.