Freddie Rich and His Orchestra

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

Cab Calloway sings "We the Cats Shall Hep Ya".

Set in 1952, this musical thriller is what happens when a traveling salesman shows up on the doorstep of a dying old man and can't contain the song within his heart. A dark riff on a classic musical.

Joo Si auditions for the opportunity of a lifetime to be a principal backup dancer for the sexy female pop singing sensation, The 4Play Ladies.

After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.

A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.

In a nightclub setting, Bob Crosby and His Orchestra play five numbers, as young couples dance in front of the bandstand, in contrasting styles ranging from Dixieland to Blues to Ragtime Pop to Swing: "How'dja Like to Love Me?", "Pagan Love Song", "Moments Like This", "Romance in the Dark" and one of the group's best-known recordings, "The South Rampart Street Blues." The featured vocalist if Kay Weber and the drummer is Ray Bauduc.

Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.

"Swing cat" Louis Prima and his jazz quartette play songs and accompany featured singers and dancers.

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

The Documentary centers around Zappa at home, and on Tour. The amazing thing is that Zappa allowed a guy with a camera to film the band at the Fillmore West w/ Flo and Eddie. There are times when the camera man seems to be on the stage. The performance is recorded from only one camera angle. There are only 4-5 songs presented here.....and Zappa referring to the Fillmore West as the ‘Psychedelic Dungeon’ is priceless………..It is a great piece of history.

Following his work with Christopher Nolan on the IMAX release of Tenet and his featured song “The Plan,” Travis Scott and IMAX have teamed up to deliver fans a new way to experience his music. Optimized for IMAX theatres, fans will experience “Franchise” with powerful precision sound and the highest quality crystal-clear imagery on the biggest screens. Only IMAX’s unique theatre geometry will immerse audiences into Travis Scott’s vision with an audio-visual experience unlike any other. Witness “Franchise” first, only in IMAX.

Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.

Critical review of the music of the Electric Light Orchestra during the Roy Wood era. Features highlights from tracks including '10538 Overture', 'Jeff's Boogie 2', 'Queen of the Hours' and 'Ball Park Incident'. The Independent biography traces the foundations of the band through its metamorphosis from The Move in 1970 and later to the point where Roy Wood quit the group leaving Jeff Lynne to steer the band in to worldwide stardom. Narrated throughout by a team of music journalists and musicians. Also included are a bonus live set filmed in 1972 originally called Granada's Set of Six and features four of the six songs, These songs are the only known live original Roy Wood ELO tracks ever filmed. The DVD was originally released in 2005 under the title Inside the Electric Light Orchestra 1970–1973 minus the bonus live tracks.

This is a Hungarian cult animated short musical starring two stand up comedians / singers: Hofi Géza and Koós János. Directed by Nepp József, a well known Hungarian cartoon director, the story revolves around two cats, who try to catch some mice in the house. With sporadic dialog, the emphasis is on the parody of international and Hungarian evergreens of the era.

On a set resembling a yacht, Roger Wolfe Kahn leads his orchestra in several popular tunes of the day. Billed and un-billed guest acts also perform. At the end, Kahn thrills his guests by piloting a biplane.

Several Puerto Rican Christmas tunes are performed on screen by Juan Rivera, Juan Ortiz Vargas, José Ramón Morales, and the Morgado Brothers.

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

This musical short salutes bandleader B.A. Rolfe on his 40th anniversary in show business.

Bandleader Frances Carroll leads The Coquettes, an all-female band, in several swing tunes.