Love in Quarantine

A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

The main characters are the artist Bertel von Bjelke and Hilkka Kanno the adopted daughter of the town councilor. Bertel is in love with Hilka, who, however, behaves badly with the artist. This does not prevent the artist from asking for the girl's hand from the town councilor Kanno, who accepts his friend's request. Kanto stresses, however, that the final decision is up to his daughter.

Eero Luotola is a pilot operating in Kalliosaari, whose crush is Annikki, who lives in the same village. They have known each other since childhood and have promised to get married at some point.

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

Polyteekkarifilmi (Polytekarfilmen) is a Finnish silent documentary film dating from 1924. The subtitle of the documentary is "The story of sport, polytheists and the gods of Olympia". The film aimed to raise travel funds for Finnish athletes traveling to the Paris Olympics.

Forester Antti Kare and manager John Freyberg travel north in search of millions worth of timber sales. The manager's giddy daughter Margit also secretly joins the journey.

Jaakkola, a priest with a bad memory, gets a prescription for a spa day from Dr. Viljo. Ruustinna plans to bring her daughter Elina and the local doctor together. Jaakkola finds the mail he forgot in his pocket, including an important wedding invitation. Rovasti and Ruustinna plan to stop at the wedding on the way to the spa, but things get complicated and there are enough misunderstandings in the knots of love.

Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.

Jack Pepper accidentally fires his gun while forcing a newspaper editor to retract his statement regarding Miss Tulip Hellier, and the sheriff goes after Jack. While hiding out, Jack finds a liquor cache on the Hellier ranch and knows it was placed there as a ruse to distract the sheriff while an outlaw gang runs dope across the border.

An experimental silent film about love and two people who never fall out of love.

Lord Harrowby takes out an $100,000 insurance policy to be paid if his wedding to Cecilia Meyrick is cancelled. The insurance company sends Dick Minot to make sure the wedding takes place, but he falls in love with the bride.

A southern girl tries her luck as a dancer in New York City.

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

A girl-shy professor runs into trouble at a ladies’ seminary.